Tag Archives: Light

How to do DIY diffusion – great light from simple tips

 • DIY Ways to diffuse light •

• DIY Ways to diffuse light •
Image taken from the video.

Inexpensive photography equipment!

Following on from the Save money and improve your scene lighting yesterday, we have another video showing how you can provide yourself with an inexpensive light diffuser. It will be quite as good as any professional diffuser and in fact you make it have variable diffusion effects.

Professional and amateur alike use quickly and easily made DIY solutions for their photography. They know they can make things to the specification they require without the equipment costing the earth. In most photographers studios you will find materials and adaptations to be able to do all sorts of ‘quick makes’ with materials, frames and stands. It just makes sense to save money and do it how you need it, rather than spend a mint on something you only use once.

DIY Ways to Diffuse Light


Playgallery  External link - opens new tab/page

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By Damon Guy (author and Photokonnexion editor)

Damon Guy - Netkonnexion

Damon Guy (Netkonnexion)

Damon is a writer-photog and editor of this site. He has run some major websites, a computing department and a digital image library. He started out as a trained teacher and now runs training for digital photographers.
See also: Editors ‘Bio’.

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Save money and improve your scene lighting!

DIY Reflectors, Bouncer, and Absorbers

• DIY Reflectors, Bouncer, and Absorbers •

Professional equipment costs so much!

But easily made DIY lighting equipment can do the same as professional light diffusers and absorbers. There is so much you can do to create your own effects. It is pretty easy too. With some simple tools and materials you can have the same outcomes as from a professional studio. The video shows you not only how to make the simple reflectors, bouncers and absorbers, but also shows how they can be used. If you want to get really good with them you will need to practice your photography with them – that is the fun part!

Light reflectors, bouncers and absorbers

The use of flash or studio lights is a great way to light your subjects. However, flash is very harsh and studio lights are often expensive. You can make the reflectors, bouncers and absorbers very cheaply and they can also help adjust the light colour. Bright white board and silver reflectors help to modify the light colour from domestic lights. You may still need to adjust the light balance on your camera, but the reflections will give much more controllable light against the skin tones and clothes of your subject.

Why do we use reflectors and bouncers? These are part of a general class of photography equipment called light modifiers. Anything which changes the light from a light source is a light modifier.

With most lighting situations we have only one main light called the key light. Other lights should not be as strong as the key light. They should also have strength in proportion to the key light. We get that proportion by using reflectors and bouncers to distribute the light around our subject. This ‘fill’ light helps the light on the subject be less harsh. Bounced or reflected light creates soft shadows that wrap around curves and lessen the intensity of darkness in the shadows.

On the other hand absorbers actually cut down the reflections and help the darkness get more intense. This too has its uses. We can make shadows darken and help cut down the effect of light bounced off other things near the subject. The use of absorbers helps define shadows and create darker areas of the scene.

And now to the video…

DIY Ways to Reflect, Bounce, and Absorb Light


Playgallery

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A simple way to bring out your subject in environmental portraits

• Early morning worker • Bring out your subject in environmental portraits.

• Early morning worker •
Click image to view large
• Early morning worker • By Netkonnexion on Flickr External link - opens new tab/page :: Environmental portraits
A great way to show off your subject is to find a way to make them brighter than the background. This projects them right out into the viewers eye. Environmental portraits are particularly good subjects for this technique.

Subjects should come first.

Every photograph should have a subject, but sometimes they get lost in the overall picture. If that happens you lose the viewers eye. Make the subject stand right out. In environmental portraits, one of the best ways to do that is to bring out your subject. Find a way of making them brighter than the background.

Environmental portraits

Most people shots, whether street photography, simple portraits, or even an event shot benefit from emphasis. There are lots of forms of emphasis. Here are a few examples…

  • High contrast
  • Big colour variations
  • Placement in the frame
  • Perspective…

Probably one of the most effective forms of emphasis in environmental portraits is subject highlighting. Environmental portraits are where a person is captured in the context of their environment. You can see them as they are in that environment. This helps you see into the person and their character.

If you can use highlighting your emphasis has two impacts. First, it provides an immediate draw for the eye. This is because the eye is drawn to the brightest spots in a picture. Secondly, the scene takes on more depth because of the impact. The very fact that the background is more subdued helps the eye to perceive the depth. The highlight creates a wider contrast between the darkest and lightest parts of the picture. In environmental portraits this has a profound effect on the eye.

How?

During the middle of the day the ambient light is very bright. You have to take care when highlighting to prevent blown out areas or over-exposure. There is one way to do it. Pick out your subject as the focus. Then turn down your exposure to slightly underexpose your background. Then use a manually set flash to illuminate the foreground subject. You will see the background as darker from the slight under-exposure. The subject will be properly exposed by the flash. Be careful not to have your flash too powerful. It will over expose the foreground and leave the background too dark. You might need to practice your technique.

In the photograph above I was lucky enough to capture the subject in bright clothes. The incidental light that did most of the work for me. A little brightening in my post-processing helped bring out the details. The emphasis of the light made the foreground object (the man) stand out. Often, what makes environmental portraits powerful is the understated background lighting.

In environmental portraits, bringing out the subject with highlighting is about taking advantage of natural lighting. Nearly every situation has local lighting variations. So if you take the time to look around your location and find light/shadow situations you are sure to find some place where the natural highlighting will give you an advantage. Most of the time it is down to becoming aware of the light and shade relationships.

Two lessons

What we should be doing when the light is right is highlighting the subject. It gives the picture impact and depth. When doing environmental portraits you will always have local light variations. Take advantage of them where you can. If you need to, use a little flash to emphasis the subject and make them stand out.

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Damon Guy - Netkonnexion

Damon Guy (Netkonnexion)

Damon is a writer-photographer and editor of this site. He has run some major websites, a computing department and a digital image library. He started out as a trained teacher and now runs training for digital photogs.
See also: Editors ‘Bio’.
By Damon Guy see his profile on Google+.

Seeking the light – the essence of photography through the eyes of a war photographer

Don McCullin - Seeking The Light

Don McCullin – Seeking The Light • Video

Great equipment does not create great images.

Photographic insight is not in the equipment but the vision of the photographer. This is never more true than can be seen in this video. Don McCullin was a war photographer for more than 30 years. He saw some of the most appalling atrocities and covered some of the worlds most horrific wars – conflicts that would sear the sole. Yet in all that time he has retained a human and gentle perspective that provides a delicate insight but which also covers a dark vision too.

Transition

In this video Don McCullin is confronted, in his 70’s, with using a brand new digital camera for the first time. After more than 50 years of film and darkroom work as a professional photographer he abruptly makes the transition to digital. This film charts the progress of his first week. It is a transition which anyone who has started to learn digital photography has gone through. For Don it is a shock and revelation as well as a considerable learning curve. Many of you will empathise with his self-questioning and re-evaluation of his own skills and knowledge.

Canon CPS | Don McCullin Feature “Seeking the light”


Frank Algermissen

Iconic

Despite his gentle and unassuming approach in the video Don McCullin has demonstrated an amazingly insightful photographic vision. His war photography, and his street photography is eye-catching and beautiful. His control of dark tones and wide variations in light is his signature – one that made his war photography iconic.

In a previous article I covered a BBC programme Vivian Maier: Who Took Nanny’s Pictures?  External link - opens new tab/page in the Series “imagine – Summer 2013”. There is now also a wonderful programme on Don McCullin. You can see the recently broadcast BBC programme on the BBC iPlayer if you have access. The programme has some upsetting images and some extraordinary photography covering the ugly truth of war photography in the face of grave personal, life threatening danger. It is an amazing film. “McCullin”  External link - opens new tab/page will be available for another few weeks (published 11/07/2013).

Insights into an extraordinary life

For an insight into a very dark path through war photography, as well as some of his amazing photographs, watch this interview on a Canadian television programme. Don McCullin tells of his extraordinary life, some of the horrific things he has seen and explains who he is today. Well worth watching.
The Agenda with Steve Paikin  External link - opens new tab/page

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By Damon Guy (author and Photokonnexion editor)

Damon Guy - Netkonnexion

Damon Guy (Netkonnexion)

Damon is a writer-photog and editor of this site. He has run some major websites, a computing department and a digital image library. He started out as a trained teacher and now runs training for digital photographers.
See also: Editors ‘Bio’.

Give your holiday landscapes a little extra punch

How to make a digital camera

How to make a digital camera

Do something different with your summer shots.

Holiday times always give us a chance to capture a few landscapes. Often they are a more difficult to get right than is appreciated. In fact a little thought can make all the difference. Think about your composition and your colours. The key to a good landscape is to find impact and contrast. In the video below Gavin Hoey shows you two things. First he shows how to think about your composition and colours. Next in the context of colours he shows how to turn your landscape into black and white in Photoshop (actually you can use any full featured image editor to do the same thing).

B&W Landscape Tips


AdoramaTV

Making black and white images

In the video Gavin Hoey made a great point about shooting in RAW. Landscape pictures often look great to the eye when in the field but they lose their appeal when the image is created on-screen. So in order to make your landscape pop some post processing is essential.

This video shows how to bring out contrasts to make the scene look great in black and white. However, he makes an important point about shooting in RAW. You don’t lose the original colour, it is retained in a RAW file. Then you convert to black and white afterwards. This is not possible in *.jpg. That format does not have the colours stored like the RAW format. If your black and white *.jpg is less than successful you lose the colour option too.

Gavin Hoey points out that you should test that your camera will process a RAW file in monochrome mode on its screen, but still leave a full colour RAW file. It is possible your camera converts the RAW file to a *.jpg file in the colour scene mode. So cover your options and try it before going in the field.

Gavin showed the conversion method to black and white using the colour sliders. Most image editors have two basic ways to create monochrome shots. Your shot can be simply colour converted to shades of grey, or you can use the colour slider method where you have some control over the intensity of colour which greys are created from. This latter method gives you much greater control over the contrasts in the picture. When working in monochrome that is the most effective way to ensure the picture has visual impact. So always choose the colour slider method to get better control of the conversion.

There are some additional links below to show how to improve your black and white shots in other ways.

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By Damon Guy (author and Photokonnexion editor)

Damon Guy - Netkonnexion

Damon Guy (Netkonnexion)

Damon is a writer-photog and editor of this site. He has run some major websites, a computing department and a digital image library. He started out as a trained teacher and now runs training for digital photographers.
See also: Editors ‘Bio’.

Do you understand the play of light on faces?

Video

Video

Understanding light involves seeing it on your subject…

That understanding comes from seeing light in different environments. Next time you are outside look at the light and shadow on the faces of people around you. Look for light/shadow relationships and look out for light playing on the face – how it moves around as the face moves in the light.

The play of light on faces is interesting, but often ugly

When you study faces and light together you will see that there are some pretty ugly shapes and shadows created by light on the face. We are programmed to follow edges, lines and contrasts with our eyes. Oddly, we see these on faces all the time but tend to ignore them.

Normally we ignore the ugliness of bad light because we have no control over light on other peoples faces. And, our familiarity with the face turns off our attention to light. It allows us to forget that faces can be pretty ugly in bad light or a bad position relative to the light.

Somehow, when we translate a scene to a 2 dimensional picture, these shapes, contrasts and lines created by light on the face become more obvious than in real life. They seem to take on an ugliness that we normally do not see.

‘Picture-awareness’, what we see on pictures but not in real life, happens in a lot of things. With faces it is pretty important. For photographers doing portraits it can make or break a picture. Becoming familiar with the concept is important if you want your portraits to succeed.

How to use natural light and fill flash Portrait tutorial

In the video Tony Northrup shows how light and shadow can be changed to your advantage easily and simply.

Tony Northrup  External link - opens new tab/page

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Simple portrait tips, excellent advice

Simple portrait tips - Excellent Advice

• Portrait by Bambi Cantrell •
Simple portrait tips: seeing the person, seeing the light, seeing simplicity.
(Image from the video)

The best portraits show the person

When photographer and subject gel the magic of portrait photography bursts forth. Bambi Cantrell just bubbles over with enthusiasm about portraiture. And, she gives simple portrait tips and great advice. See the person, see the light – make it simple. In this short video she explains about her portraiture. Really worth watching for the enthusiasm and the advice.

Wedding & Portrait Photography Tips & Advice by Bambi Cantrell

This video is all about simple portrait tips although Bambi also includes wedding photography ideas. But much of wedding work is about portraiture.
Marc Silber – Silber Studios

Simple portrait tips and light

The simplicity in seeing light passes many beginners by when they are starting. These simple portrait tips reveal how light can be used to good effect. But in real terms many of the most important tips about photography are lost if you don’t get great light. So follow up these simple portrait tips with a study of light – especially in your portrait work. Check out these Light and Lighting resources, articles and links

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Damon Guy - Netkonnexion

Damon Guy (Netkonnexion)

Damon is a writer-photographer and editor of this site. He has run some major websites, a computing department and a digital image library. He started out as a trained teacher and now runs training for digital photogs.
See also: Editors ‘Bio’.
By Damon Guy see his profile on Google+.