Tag Archives: Sunlight

A simple introduction to backlight

• Introduction to backlight •

• Introduction to backlight •
Various images showing backlight scenarios in the studio and outside.
Images from various artists – displayed on Google Images.

Backlight is a versatile light with great potential.

The term backlight refers to the use of a light which is projected from the back of the scene/studio onto the subject from behind. The camera is placed facing the subject. It captures the effect of the light as a highlighted rim or halo around the back edges of the subject.

The use of a backlight creates very distinct effects. The most important is the rim light around the edges of the subject. This highlighting effectively isolates the subject from the background. So it is a useful technique when the subject and background share similar colours or tones. The rim effect around the edges of the subject is especially useful for bringing out highlights and style in hair. Sometimes it is also used to imply purity or goodness after the manner of a religious halo.

Backlight can be produced either with artificial light, natural light or a combination. The sun is normally the most important light for back lighting and so in cases where sunlight is strong artificial light is often used to bring the foreground or the subjects front side out of shadow. This is fill light and provides sufficient light for a good shot of the subject without blowing out the effects of the back light.

In photographic scenes the backlight is often used to create an emphasis on the three dimensionality of the subject. Lights coming directly from the position of the camera tend to make a subject look flat because all the shadows are removed. Backlight has the opposite effect. The light halo effect at the back of the subject emphasises the depth of the subject. It can also be used to emphasis depth in the picture. By strongly highlighting the back of the subject the distance to the scenery behind the subject is revealed giving the image some depth.

Setting up an effective backlight requires some care. If the source of the light shines directly into the camera lens it will blow out and create a strong distraction for the picture viewer. Also a strong backlight can make the front side of the subject look very dark or even silhouetted. To prevent this it is normal practice to use a front light as well so the subject is bright enough to capture. Setting up a good backlight often requires getting the foreground light correct first, then putting in the backlight at around 2 to 3 stops brighter to create the emphasis.

The angle at which a backlight hits the subject can be critical. If the backlight is directly toward the camera the subject can be strongly blown out by and direct light passing around the subject. Normally backlight is applied at an angle. That way the lighting will provide a little texture on the subject and not be directed into the camera lens. It can also be used to more effectively show fashion elements like hair styles by picking out highlights, curls etc.

“Backlight” should not be confused with background lighting. The latter is where a light is used to light the background, the scenery or backdrop. Background lighting typically faces away from the camera. Backlights face toward the camera.

Backlights are used in such a large variety of ways that some practice and experimentation is needed to be able to work out the best way to use them. However, because of the intensity of the light from the back the foreground lighting is often important too. It is not unusual for multiple artificial lights to be needed in order to get the best out of backlights and to keep the balance of lighting good all around the subject.

Examples of “Studio backlighting” on Google  External link - opens new tab/page
Examples of general “backlight photography” on Google  External link - opens new tab/page

Backlight techniques are very important in photography as they have so many effective outcomes. It is certainly worth practising with your lights or even natural light to try out some of the effects.

By Damon Guy (author and Photokonnexion editor)

Damon Guy - Netkonnexion

Damon Guy (Netkonnexion)

Damon is a writer-photog and editor of this site. He has run some major websites, a computing department and a digital image library. He started out as a trained teacher and now runs training for digital photographers.
See also: Editors ‘Bio’.

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Time – 5 Essential Tips For Photographers

The cosmic clock is ticking... photographers should be aware of time

The cosmic clock is ticking... photographers should be aware of time

Time is an imperative for photographers

An essential element of photography, time impacts on us photographers in many ways. Here are some of the issues you should be thinking about.

The Obvious
Of course… shutter speed, the time the shutter is open. We all know that it is one of the most important aspects of taking a photograph. Tip number one: is to know the impact of shutter speed on the other two important aspects of exposure. I am talking about ISO and Aperture. Without a clear understanding of how these three components interact photographers are doomed to live with auto-settings.

Shutter speed, ISO and aperture all work together to produce your exposure. Between the three of them there is a balance. Raise/lower one of these and one or both of the others have to be adjusted to compensate. Your exposure is a dynamic balance between these three elements. Shutter speed is inseparable from the other two. Read up on the three components of exposure so you understand the impact of shutter speed.

Less Obvious

Composition is a time related activity. We all think about the best way to take a shot. What do we included or exclude? How do we frame? What angle is best? The questions are endless… the compositional variations are too. Actually, the important issue is getting the shot. Some people walk up to a scene snap and go. Have they considered the composition fully? There is a balance to be had. Time is important. I find that as my students develop the shot consideration-time shortens. They spend less time thinking about ‘the’ shot and more time working on variations… hunting for the right shot; working the scene. Tip number two is learn the settings on your camera and practice thinking about compositional elements but remember the time. Get in a number of shots, different angles, perspectives and so on. As you practice these skills try to work to time. Don’t machine-gun your shots. Work the scene – quickly, efficiently.

Being there

Timing is everything: If you don’t turn up you will miss the shot. In photography getting to the right place at the right time is everything. If you are late you will miss something… I am certain that quite often it will be the importing ‘thing’. Tip number three… leave on time, know where you are going and leave enough time to set up before you are going to take the shots. It sounds an obvious tip. However, there is a hidden component. The most important part of getting the shot is being in the right place at the right time. That will need some work. Work the scene before the event; the day before, the hour before. Which ever is right. Know where you will be taking the shots. Know what are the best places to stand. Know in advance what shots you want to take. This planning is essential if you want to make the right moves when you are doing your shoot.

Knowing the time: A lot of activities in photography are about time of day. The Golden Hour at the beginning and end of the day is quite a precise time. Knowing when it starts and ends is something you should think about if you are to make the best use of your time. Precise timings for the Golden Hour are calculated as are the angle of the sun to a particular location. It is therefore possible for you to know what time you need to be at a place to catch the golden glow of this great time of day. And, you can find out what direction to look in if the sun is not apparent when you arrive. If you don’t know the terrain you could turn up at a location and find that your times are out because the hills prevent you seeing the sun at that time.

Tip number four… know the time, and direction of your shot in advance and make sure the light is right! Consult a map to work out if you will be in hills. Ordnance Survey maps  External link - opens new tab/page have contours to indicate the lie of lines of hills and their height.

You can find out the times of the Golden Hour on The Photographer’s Ephemeris (Desktop computer version) The Photographer's Ephemeris | External link - opens new tab/page – the site helps you plan outdoor photography in natural light. The website will show you how the light will fall on the land, day or night, for any location around the earth. There are phone apps available too. Details available on the site.

You can also find the position of the sun  External link - opens new tab/page at any time of the day.

Tip five… Other important times of day you should know about:
Dawn and Dusk times: dawn is the start of the morning golden hour; Dusk is the end of the evening golden hour. However, having a knowledge of exactly what time the sun rises and sets lets you know how much time you have left on your shoot (or when it is about to start).
Mid-day: this is the time the sun is likely to be harsh, producing hard light. Mid-day is not a good time for photography. Colours may be washed out and the overhead sun reduces those all-important shadows. Remember, local DST (Daylight Saving Time) may may affect the time the sun is overhead.
Moon phases and times: The moon is a great addition to night shots. Knowing when it is up and what phase it is at is important. There are several websites with Moon tables and times.
Astronomy: The astronomical side of photography is great fun and very rewarding. You will need to have precise timings of astronomical events starting and finishing as well as knowing where to look.

Contribute A Definition?

Send us a definition of a photographic word or phrase...

Send us a definition for our list of photographic words and phrases. Simply write a clear definition and send it in. Include an original picture if you wish. Give us your name and a link to your website and we will credit your work.

By Damon Guy (author and Photokonnexion editor)

Damon Guy - Netkonnexion

Damon Guy (Netkonnexion)

Damon is a writer-photog and editor of this site. He has run some major websites, a computing department and a digital image library. He started out as a trained teacher and now runs training for digital photographers.
See also: Editors ‘Bio’.