Tag Archives: Street photography

Famous street photographer talks about his work

StreetphotographyWordle

Street photography expert speaks out.

The enjoyment of street photography is in being out with people and around interesting scenes. Feeling the pulse of the city is invigorating and at the same time humbling. People are what makes our experiences meaningful. Yet a good street photographer sees more than just the people. They see the environment and the scenery of the city as part of the lifeblood of the experience. Buildings, people, geometry, traffic, hands, poses, eyes, coffee, roads, reflections… life is found in all these things. The city tells all these stories.

In the video famous street photographer, Travis Jensen, talks about how he gets his great candid photos out on the street in San Francisco. He also explains his passion for the pulse of the city and the vitality of the whole environment. Travis talks about his street technique, showing how he applies his personal photographic style.

How Street Photographer Travis Jensen is able to get such candid photos on the street

Directed by Leland Ware
Shot by Mecky Crues
Follow Kayo Corp at: thekayocorp.com

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By Damon Guy (author and Photokonnexion editor)

Damon Guy - Netkonnexion

Damon Guy (Netkonnexion)

Damon is a writer-photog and editor of this site. He has run some major websites, a computing department and a digital image library. He started out as a trained teacher and now runs training for digital photographers.
See also: Editors ‘Bio’.

Portrait vs. Candid – overcome the fear

When is a portrait not a portrait?

Portraits and candids are two types of photography that showcase people. A planned photograph taken in a controlled location is known as a portrait. On the other hand, a spontaneous photograph in an uncontrolled location is known as a candid.

A portrait is…

A portrait is a good way for someone to present an idealized picture of themselves to the world. It is a composite result between the direction of the photographer and the wishes of the portrait sitter. From this co-operative effort comes a synthesis that represents how the sitter wants to be seen and how the photographer wants to bring out their character. It is in essence an artificial situation. The trick that the photographer seeks to pull off is a realistic representation of the sitter. That is where they need to be careful to pick the right moments to take the shot and the right props and background to emphasise the character of the sitter.

The candid is less controlled…

A candid is more of a snapshot of someone when they are behaving in a normal every-day situation. The element of control is limited. True the photographer can pick the time and place to stand and take a candid. They can also pick who they photograph. Exactly what they photograph is a matter or luck. They have to pick the people they see and hope that something special will be the result. The essence of candid photography is to capture the subject in a way that shows their character or a particular mannerism or their features in a realistic way. Again, the photographer has to pick the right moments to take the shots. However, they do not have the power of direction to ask for poses or expressions.

What’s the issue?

There is a very big point here, at least for some. You have to take the candid in a stranger-to-stranger situation! THAT, for most starters in street photography and photography in general is a big deal. Getting out there in the street and capturing people in their everyday lives is difficult. It makes you feel vulnerable. You are out of your element. You feel the lack of control and are sensitive to potential hostilities. Here are Five things to help you get into the candid…

  • Go out with a friend the first few times.
  • Be obvious. Snap away so people don’t fear you.
  • Snap lots of things, not just people. So you capture a few people at first.
  • Try lots of different angles and ideas. Doing the photography will take the edge off your fear.
  • Be you, enjoy yourself, meet people. Talk to some. They are ordinary folk. It’s OK.

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By Damon Guy (author and Photokonnexion editor)

Damon Guy - Netkonnexion

Damon Guy (Netkonnexion)

Damon is a writer-photog and editor of this site. He has run some major websites, a computing department and a digital image library. He started out as a trained teacher and now runs training for digital photographers.
See also: Editors ‘Bio’.

An easy lesson in beautiful bokeh

Beautiful photographs depend on beautiful light.

In this video one of the modern lighting masters shows how to make great bokeh. Using a simple experiment with various lenses and apertures, you can see how its done. Then, he does some great street photography. Finally, he gives you some creative ideas. You can do creative thinking for doing your own bokeh shoot.

“Bokeh” is the Japanese for “blur” or “haze”. You can find out more about it in our bokeh definition in the Photokonnexion Photography Glossary.

Creating Bokeh: A Lighting Tutorial


From Jay P. Morgan. TheSlantedLens

Points to remember

In the video Jay P. Morgan identified four important points about making bokeh. They were…

  • Get as close to the subject as you can
  • Get as far away from the background lights as possible
  • Keep the aperture wide open
  • Shoot small light sources

These valuable points are really all you need to remember to make your own beautiful bokeh images.

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By Damon Guy (author and Photokonnexion editor)

Damon Guy - Netkonnexion

Damon Guy (Netkonnexion)

Damon is a writer-photog and editor of this site. He has run some major websites, a computing department and a digital image library. He started out as a trained teacher and now runs training for digital photographers.
See also: Editors ‘Bio’.

Street photography law – a simple approach

• Street Legs •

• Street Legs •
Street photography has some simple rules that are pretty universal. Stay sensible!
Street Legs By Netkonnexion on Flickr External link - opens new tab/page

Common sense is the best guide.

Staying clear of the law is pretty easy if you follow common sense rules. These follow from good principles of established manners and social skills. Here is a simple summary to help you out. There is also some links below that will guide you through the more legal approach…

Disclaimer… not so boring!

I cannot offer you hard and fast legal advice. There are too many legal systems world-wide. Also, I am not a lawyer. Nevertheless most people go through life with few brushes with the law. They have been bought up to be good citizens. It turns out that, in most of the Western world at least, that good citizenry applies to photographers. Behave sensibly and you will probably be OK! So, feel free, follow my advice. Just remember it is best to get proper legal advice before taking action!

Go for it! A generalised approach to street photography law.
Do’s
  • Always consider your personal safety first, then the safety of others.
  • You can take a picture of any thing you want in a public place.
  • You can freely take pictures of any person(s) in public.
  • You can publish your work without permission.
  • Take pictures of the police, armed forces, general officials and professionals.
  • Freely take pictures of women, children and any other person or animal.
  • You can follow people to get a shot (paparazzi do it frequently and legally).
  • You can photograph buildings and structures.
  • Traffic wardens, security guards and civilian police assistants cannot search you or order you to do something without a policeman present.
  • If stopped by the police give a reasonable and calm account of yourself IF YOU WISH.
  • You never have to surrender your camera or other equipment to any official without a court order (UK).
  • You never have to delete your photos or modify any of them or your equipment (UK).
  • You do not have to justify yourself or your photographic activities unless arrested (but see below).
  • If you are arrested for any photographic activity tell the arresting officers “I have the right to remain silent until I have been advised by my legal representative on what are legal, fair and reasonable questions to answer”.
  • Check with local authorities for special regulations relating to photography (eg. Trafalgar Square for commercial shots).
  • If you have more equipment than a bag and camera then make sure you have appropriate insurance against third party liability (eg. tripod, free-standing lights etc).
  • If you are working in a commercial capacity you must seek permission from local authorities and procure appropriate licences to carry out a complex shoot (lights, models, staff, equipment, vans etc).
  • If working as a paid photographer you must carry third party insurance and you may need location insurance for certain shoots
  • Be open and relaxed about your photography – you should not be harassed by officials if you are legitimate.
  • Do know the appropriate laws for your country or the one where you are travelling.
Don’t…
  • Don’t scare or intimidate people you are photographing (especially children or women). Following people for more than a short distance may be construed as intimidation.
  • Don’t persistently stalk, harass, irritate or torment people or follow anyone around (especially vulnerable people, women and children) for your picture-taking.
  • Do not take pictures if there may be a reasonable expectation of privacy (homes, toilets, through windows, private property, gardens or other private areas, serious personal injury situations, hospitals, changing rooms, etc.).
  • Do not block access ways, pedestrian paths, roads, doorways or fire escapes, or prevent official works or access with your equipment (tripods, lights, general photographic paraphernalia).
  • Do not stay anywhere if you are feeling threatened by anything or anyone.
  • You CANNOT profit from your street photography work without written permission of the depicted person(s) (eg, stock photography sales, advertising, selling posters etc.).
  • Do not publish pictures of personal, private or government buildings for profit without a property release, even if taken from a public space.
  • In publications do not provide identifying information about people you photograph unless you have written permission to do so.
  • Do not deliberately set up people you photograph to misrepresent them or actions they may take.
  • Do NOT get angry or violent or threatening if stopped by police or officials.
  • DO NOT make statements or justify yourself or discuss your photographic activities without a lawyer being present if arrested.
  • Do not take pictures of secure buildings with Government associations of secrecy.
  • Do not hide your camera or appear surreptitious near secure buildings with Government associations of secrecy.
  • Don’t lurk or hide yourself near secure buildings/land with Government associations of secrecy.
  • Don’t behave in a suspicious manner or a manner likely to incite scrutiny.
Consider…

The minute you step off the public land you are subject to very different laws…

  • On private or Government land none of the above “Do’s” apply!
  • You do not have a right to do anything without the owners permission on private property.
  • In public buildings, and privately-owned buildings open to the public, rules often apply that photographers must obey. Check with the management – you should know about those before you go snapping.
  • Beware the Official Secrets Act (UK). Basically this applies in any Government secure area. Don’t go there! Warning – there are extensive powers of search and arrest, but there must also be reasonable grounds for suspicion.
  • Beware the Terrorism Act 2000 (UK) – this applies in any Government secure area, certain designated areas (not published) and anywhere that a policeman will have reasonable suspicion that you are carrying out a terrorist act or collecting information for such an act. Don’t make yourself look like a terrorist! Again, be warned, there are extensive powers of search and arrest, but there must also be reasonable grounds for suspicion.
  • If you collect a lot of information about the same individuals you may need to be “Registered” under the Data Protection Act (UK). In certain circumstances (eg. where identity is clear) pictures count as “Data”.
  • If people ask you not to photograph them it is polite and courteous to comply. Happy subjects make great subjects. Upset people might pop you a punch on the jaw! So think carefully before upsetting someone.
  • Don’t deliberately portray people in a bad light, a defamatory way or depict them in a way that may misrepresent their intentions or lead people to draw inappropriate conclusions. Such actions MAY lead to court action against you.
  • If you are observed frequently or persistently photographing in places where one person, children or vulnerable people may be found, ensure you have a legitimate, officially agreed and written reason to be doing that. Regular behaviour of that sort is deemed suspicious and grounds for a police investigation.

I hope that this list is helpful. You should feel free to take pictures in public streets. However, you should remember it is better to know the law than to fall foul of it! Prepare yourself properly with the right local legal information before doing anything controversial, or new-to-you.

#11030#

 

By Damon Guy (author and Photokonnexion editor)

Damon Guy - Netkonnexion

Damon Guy (Netkonnexion)

Damon is a writer-photog and editor of this site. He has run some major websites, a computing department and a digital image library. He started out as a trained teacher and now runs training for digital photographers.
See also: Editors ‘Bio’.

A brave expression of passion – photographic heroes (pt 2) – Diane Arbus

Photomontage of Diane Arbus and some of her work.

Photomontage of Diane Arbus and some of her work.
“My favorite thing is to go where I’ve never been.” • Diane Arbus
Click to view a range of her work and portraits of her in Google Images.

Swim against the tide!

Your personal mission in life is important and your photography should reflect that. Don’t only transmit passion through your work. Diane Arbus worked in photography but found a rarely paralleled depth of expression in her exploration of a personal passion. She persevered even when that passion took her into domains that the public would rather have left unseen at the time.

Diane Arbus (Mar 14, 1923 – Jul 26, 1971)

The creation of a picture lies within the ability of everyone who holds a camera. Conjuring a meaningful ‘image’ in the mind and creating an enduring memory for the viewer takes a photographer with passion and expression far beyond simple picture taking. Diane Arbus was a phenomenon and a case in point. Throughout her varied career she was able to express her interests in ways that shocked or left people cold.

Born to a wealthy, talented and artistic family Diane Nemerov escaped the worst of the American Depression. Her siblings excelled in art and photography as did her father who retired from the family business to paint. She married at eighteen to Allan Arbus. Both interested in photography, they began a business after WWII in commercial and advertising photography. They were published in a wide range of well known magazines of the time, despite professing their hate of the fashion world.

During the late 1940’s and 1950s the Arbus’ raised two daughters. The couple separated in 1958 and divorced 11 years later. It was the late 1950s and 1960s that saw her unique style coming out. Working with a wider range of client publications she extended her personal ideas and techniques through assignment work. In 1963 she was awarded a Guggenheim Fellowship for a project called “American rites, manners, and customs”. This allowed her to extend her interests and to develop her personal style. While teaching, working on her projects and doing some assignment work the 1960s were a proving ground for her approach. Her commercial work declined as she became better known as an artist.

What made Diane Arbus unique was an exploration of her real interest. She pursued her photography working with “deviant and marginal people”. Her passionate portrayal of dwarfs, giants, transgender people, nudists, circus performers and other “ugly or surreal” people was for the time pretty brave and definitely against the grain of public opinion. Her work in advertising is little known today. Her writing and photographs of people at the margins of society bought her condemnation and severe criticism. Some of her work is still considered to be controversial. Yet, despite open criticism and damaging condemnation of her and her work she stuck to her interests and passionately expressed herself.

Her images are stark and sometimes ugly. However, this was the way she portrayed the world and was consistent in that approach. The extent to which she was a tortured individual is not clear, but she suffered bouts of depression and committed suicide aged 48 in 1971. Her legacy lies in her extraordinary persistence working with people considered to be ‘freaks’ in her contemporary America. She was notable in her success in getting permission from her subjects to publish the photographs. She established close personal relationships with many of her subjects while also portraying their less than ideal circumstances. And, she often returned over many years to take more photographs. Some of her images are shocking and harsh. Yet she seemed intent on hard lines, hard light and portraying people who had hard lives.

She produced a range of iconic images of people in difficult circumstances, against the public wisdom of the time. Diane Arbus remains controversial. But she published both photographs and writings that showed how she understood the nature of her own work and the impact it was having. She is one of my heroes because she stood up for herself and did photography with a passion. She showed important issues for what they were and exposed the underbelly of American culture at that time. Her work is sought-after as collectors items. Auction sales of individual pictures in the last decade have exceeded several hundred thousand dollars. Yet this has not diminished her insight. Important and controversial she may have been, but a powerful photographer with a passionate message she remains today.

Two quotes by Arbus define for me her outlook on her photography…

“Freaks was a thing I photographed a lot . . . . Most people go through life dreading they’ll have a traumatic experience. Freaks were born with their trauma. They’ve already passed their test in life. They’re aristocrats.”
Arbus, Diane. “Diane Arbus”. Millerton, New York: Aperture, 1972. ISBN 0-912334-40-1.

In this quote you can see the passion spilling out of her words…

I do feel I have some slight corner on something about the quality of things. I mean it’s very subtle and a little embarrassing to me, but I really believe there are things which nobody would see unless I photographed them.
Feeney, Mark. “She Opened Our Eyes. Photographer Diane Arbus Presented a New Way of Seeing.” Boston Globe, November 2, 2003.

In my twitter stream (@photokonnexion) I push photographers to ‘do their own thing’ with a passion borne of insight from a personal mission in life. Many contemporary professional photographers fall onto the media bandwagon and get trapped in a cycle of commercial and media ‘art’. As a result they never see their personal development get past commercialism. I would encourage photographers of all types to look for ways to make their own mark in photography. As artists, photographers should be looking to expand their own horizons. I urge you to explore new challenges that define you as a photographer. Diane Arbus was not afraid to go down this route, neither should you.

The following video is the first of four. See all four parts of this video here: Masters of Photography Diane Arbus (Parts 1 to 4)

[youtube http://www.youtube.com/watch?v=wKXwCctBLQU&w=500&h=375]
Masters of Photography Diane Arbus Part 1. By Rangefinder  External link - opens new tab/page

By Damon Guy (author and Photokonnexion editor)

Damon Guy - Netkonnexion

Damon Guy (Netkonnexion)

Damon is a writer-photog and editor of this site. He has run some major websites, a computing department and a digital image library. He started out as a trained teacher and now runs training for digital photographers.
See also: Editors ‘Bio’.

Forty six quick street photography tips

street photography tips: Worry · Street photography can be anything you want it to be - just do it!

· Worry ·
Street photography can be anything you want it to be – just do it!

Click image to view large.
• Worry • By Netkonnexion on Flickr External link - opens new tab/page
Street photography tips to get you out there…

The best street photography requires rapid thinking.

Here are some really quick street photography tips to make sure that you do better photography on the street. They are aimed at getting out there and doing it. They are all about different situations and ways to approach them. Here are our 46 top street photography tips…

Forty six quick street photography tips
  1. Get out there, you can’t take street shots indoors!
  2. A big camera is daunting for people on the street.
  3. Always shoot in RAW – street shots need proper processing.
  4. Respect the people you shoot, then they will respect you.
  5. Polish your lenses – street dirt ruins shots.
  6. Get in close to the action – you will get better expressions.
  7. The simplest little actions make a great story.
  8. Remember reflections – windows, puddles, glasses, mirrors.
  9. If you feel uncomfortable – get out of there.
  10. Open up a wide aperture, some street shots work with lots of bokeh.
  11. Find ways to isolate the action – less distraction focuses the viewers eye.
  12. You are not a spy. Be there, in the scene. Don’t try to hide.
  13. Go light with your camera equipment.
  14. Set yourself up to take fast pictures.
  15. Try three different positions, stay a while in each.
  16. Beware of traffic headlights, winkers etc, they can overpower a shot.
  17. Use a non-photography bag to draw less attention to yourself.
  18. Be observant, be fast to react. Still you’ll miss more than you shoot.
  19. Working with a friend is good fun and gives you confidence.
  20. Do not use flash when doing street photography.
  21. Talk to people – shoot them posed, also catch them unaware.
  22. The best street shots have a strong story.
  23. Big cities have great street scenes, but so does the local main street.
  24. Brightly coloured cameras and equipment attract undue attention.
  25. Make people laugh and your street will come alive.
  26. You get some great street shots in the rain.
  27. Shoot people not things – there is more interest in humans!
  28. Bump up the ISO to get the right light sensitivity.
  29. Try shots from down low, the perspective works well against buildings.
  30. F11, pure heaven!

More street photography tips after this…

 

Quick street photography tips continued…

  1. Photograph both men and women.
  2. Try some shots in a tourist attraction – people relax there.
  3. Candid captures are way better than posed pictures.
  4. Sometimes shoot the whole person. Sometimes just the face.
  5. Feet can be interesting. Try the different approach.
  6. Think before you shoot – every shot should have a message to offer.
  7. What are people carrying? Get the feeling of the place.
  8. Keep away from anyone or any place you consider ‘worrying’.
  9. Look for tonal, colour, and shape contrasts.
  10. Capture relationships – they make great stories.
  11. Try wide angle shots, capture a wider perspective – the whole scene counts.
  12. Prime lenses help you get into the scene – 50mm is great.
  13. Look for sadness, look for happiness – shoot for emotions.
  14. Digital noise from high ISO is preferable to hand movement blur.
  15. Shoot in colour. Be prepared to go to black and white in processing.
  16. Be confident – it won’t work for you if you don’t work a scene.

Damon Guy - Netkonnexion

Damon Guy (Netkonnexion)

Damon is a writer-photographer and editor of this site. He has run some major websites, a computing department and a digital image library. He started out as a trained teacher and now runs training for digital photogs.
See also: Editors ‘Bio’.
By Damon Guy see his profile on Google+.

A simple lesson in street photography

"Gritty Street" - Getting out there comes first. The shots come next.

“Gritty Street” – Getting out there comes first. The shots come next. Actually, the whole thing is about communication.
“Gritty Street” By Netkonnexion on Flickr External link - opens new tab/page

Some of the simple things are the most difficult when starting.

I have been asked many times why some people find street photography so difficult. Many photographers never get past the first step. Here is some advice to help you.

Starting…

Getting out there is difficult if you think it is. Actually the most difficult thing is letting people know you are doing it. Most people just ignore you. My advice to beginners is, “just do it!” If you don’t start you will never do street photography. Once you are out there the next thing is taking shots of people. My best advice here is, “be a conspicuous communicator”. Walk up to people and talk to them. They will let you know if they are not interested. No harm done, say thanks, and just walk away. If they are interested then talk. Next, invite them to be photographed. Offer them copies. In fact, communicate. Most people love communicators. Do it the way you know best. Do it with enthusiasm. Then do some photography. That’s how to get started. Once you have done one or two shots you will wonder what the problem was to start.

Some things to do…
  • Find a busy place, stick with it for a while. People will be easier to approach from one spot.
  • Look for your shots. Don’t just photograph anything and everyone.
  • Make your shots important and meaningful. Have a very good reason to push the button.
  • Have your camera pre-set so you don’t spend ages fiddling around with it.
  • A good lens is a 50mm prime. You can use a zoom around the same focal length.
  • A setting of F8 gives you good depth of field and flexibility for street shots.
  • Try getting some candid shots of people (just capture them as they are).
  • Ask some people to pose or be themselves – talk to them before shooting.
  • Get in close when you can.
  • Be a part of the street scene, not a voyeur. People hate to be watched, love to be included.
  • Respect the people you photograph.
  • If you are asked to delete a shot – comply.
  • Remember you are an artist not a spy.
  • Search out peoples expressions and natural poses. Show what they feel.
  • Be chatty and grateful, apologetic and gentle.
  • Practice patience.
Some things not to do…
  • Don’t approach people in quiet places or where they may feel threatened.
  • Don’t be a predator, be a facilitator.
  • Wear simple, non-threatening clothes and appropriate for the weather.
  • Remember, make your intentions clear and friendly.
  • If you are uncomfortable/threatened don’t stay. Get out of there!

There, that’s it. Take it easy, have fun. Talk to lots of people. Take lots of photographs.