Tag Archives: Groups

Three great ideas to make group shots more compelling

Group shots - Bloomingdale beach girls put their heads together by JeromesPOV, on Flickr

Bloomingdale beach girls put their heads together
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Bloomingdale beach girls put their heads together by JeromesPOV, on Flickr External link - opens new tab/page

Group shots are about togetherness.

It’s important in any picture is to connect subject and viewer. Some pictures are more compelling than others. Here are three powerful ideas for group shots.

Group shots and cohesion

More compelling group shots show cohesion. A happy group of friends shows great cohesion. Much more than people on a street corner waiting to cross. Something in a friend-group holds them together. There are many ways to build cohesion in a group shot. I try to get the group to put their heads together. When people want to bring their heads close, or touching, it shows great intimacy. Cohesion is strong.

There are many ways to show cohesion . Another form of it is arms around each other. You could ask your group to be leaning in the same way. That imparts a powerful group-force. Group hugs are fun! Another idea is to pose arms in a similar way or a direction. You can also use pointing legs.

Commonality in group shots

Group shots can hang together well without being intimate. A common theme in the group shows a dynamic togetherness. Colour is a good theme. If I am doing family portraits it is important to capture the faces. Any distraction takes away the family feel. Bring the family group close with similar colours and clothes. That helps prevent distraction from the faces to create togetherness.

Poses of all sorts can help too. When you are all doing the same thing it pulls the group together. The pose does not have to be intimate. It just needs to show a common theme in the pose.

Group shots - Saudi Graduates by Ben SJ, on Flickr

• Saudi Graduates •
Doing something in common like the pose here, or wearing similar clothes helps the group to have a common theme.
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Saudi Graduates by Ben SJ, on FlickrExternal link - opens new tab/page


A strong element of composition in group portraits is framing. Find a frame to constrain your group shots in small places. It helps them look more cohesive. This is especially if the frame keeps them close together. A great example is wedding photography. Close members of the family pictured between tight columns outside a church is a good way to pull the group together. The columns prevent the eye from straying out sideways. The family hold the eye as a result.

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Group intimacy through framing can be shot in trees or other landscape features. If the framing feature is not too strong the group will gain from being close and still be the centre of interest. Using landscape features is great for one-off family shots on holiday.

A traditional form of framing is the use of the vignette. You make a vignette in post production. Use a shadow or white-out technique at the edge of the picture and around the corners. It helps focus the eye gently to the centre of the picture.

Fishermen ... and friends!

• Fishermen … and friends! •
Small group portrait shot in Green Harbour, Massachussets
This shot pulls it all together. Close head intimacy (right hand three). Togetherness pose (arm positions, smiles/expressions). Commonality in colour/clothes. Common theme – fishing. Framing – the boat roof stops the eye straying upward.
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Fishermen … and friends! Small group portrait shot in Green Harbour, Massachusetts by Nicola Zingarelli, on Flickr External link - opens new tab/page

Getting it all together

There are lots of ways to help make your group shots hang together. Try to add cohesion, commonality and framing to your group shots. You’ll be on the way to a compelling shot.


Damon Guy (Netkonnexion)

Damon is managing editor of Photokonnexion.com with professional experience in photography, writing, image libraries, and computing. He is also an experienced, webmaster and a trained teacher. Damon runs regular training for digital photographers who are just starting out.
See also: Editors ‘Bio’
By Damon Guy :: Profile on Google+

Three quick tips for photographing people at work for your employer

When you photograph people at work context is all important.

When you photograph people at work context is all important.

Photographers often have to photograph people at work.

It is easy to forget who you are photographing. Although these people may be your friends, you still need to put them into context. Work is not just about friendship, it is about production.


If you are asked to do photos at work you should know why it is being done. The most important thing, as with all photographs, is planning ahead. That means discussing with your employer what is expected of you. If you know that and you get your actions approved you should have fun doing the shot and make a great job of it. After all, it is about doing a good job right?

1. Portraits

Make sure the picture conveys the meaning you have been asked to fulfil. Often employers just want portrait shots so customers know who they are dealing with. If that is the case then you need to consider clothing, poses and backgrounds that are appropriate for your subjects. Plan the shots beforehand and approach your employer to see if your plan is appropriate before the shoot.

2. Context

If the photo is a record shot of the work situation, make sure you take the shot in the context of their work. The appropriate apparatus and background is important. In the work photo above the two girls served coffee in the front-of-house operation. A teamwork photo (heads together conveys closeness and camaraderie) was appropriate. Work with the people you are photographing to make sure you are portraying their true location and work situation.

3. Location

In a very diverse working environment a group shot might be more appropriate than individual shots. Make sure you work with your employer to find the best place to take the shot. Employers usually have very clear ideas about what they want to show their customers. It is important to get the final situation right. Your photograph will be saying a lot to its audience. A shot in the most presentable place in the factory is better than outside the toilets in a neglected yard! Use common sense to assess the location. Make it both relevant and appropriate. Make suggestions to help the composition, but make sure your employer is happy before doing the final shots.

An extra one for luck

If you are doing people-shots use a tripod. It is essential to make your shots sharp. Tripods will help you do that more than anything else.

By Damon Guy (author and Photokonnexion editor)

Damon Guy - Netkonnexion

Damon Guy (Netkonnexion)

Damon is a writer-photog and editor of this site. He has run some major websites, a computing department and a digital image library. He started out as a trained teacher and now runs training for digital photographers.
See also: Editors ‘Bio’.

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