Tag Archives: Filters

Post Processing Defined

The growth of a multi-billion Pound industry worldwide in software and post-processing work has been phenomenal in recent years. However, the camera manufacturers are in rude health. The mobile industries are active and growing. The Internet is hosting more and more online facilities for processing. Websites that are using images, photographic processing and social networking in images are growing daily. The post-processing industry is quite possibly one of the largest computer industry interfaces with the public.

Find out more about post-processing in our new article in the Photographic Glossary.

By Damon Guy (author and Photokonnexion editor)

Damon Guy - Netkonnexion

Damon Guy (Netkonnexion)

Damon is a writer-photog and editor of this site. He has run some major websites, a computing department and a digital image library. He started out as a trained teacher and now runs training for digital photographers.
See also: Editors ‘Bio’.

Getting started with filters

On a really bright day the Neutral Density Filter can help you control your exposure.

Tin Mine. In very bright conditions the ND Filter helps control exposure.

Top: Unable to wait for better light the shot was washed out and too bright.

Bottom: Seconds later, an ND filter restors the colour, pulling back details.

No serious landscaper would be without their set of NDs and ND grads (neutral density and graduated neutral density filters). Sometimes you just cannot do an adequate job without them. After seeing this video I feel better about buying the right tool for the job.

Neutral Density Filters

A Neutral Density Filter (shortened to ND filter) reduces the light intensity without affecting the colour or hue of the light that passes through it. The filter affects all wavelengths of light equally so there is no colour cast or odd light variations.

An ND filter is used in a number of ways. The reduction in the intensity of incoming light allows you to open the aperture wider or to keep the shutter open longer, or a combination of both. As you can see from the photograph above an ND filter can simply help cope better with very bright conditions. If you use an ND filter can keep your shutter open much longer. This allows you to add creativity into your shots. Here is a list of uses for ND’s…

  1. Blurring the motion of water (e.g. waterfalls and rapids).
  2. Shallow Depth of Field in bright light (wide aperture would normally over-expose).
  3. Make fast moving objects invisible.
  4. Add motion blur to moving things in your shot.
  5. Extend your exposures to capture more detail.
  6. Increasing contrast/lowering brightness – great for moon shots

With a long shutter opening you can create wonderfully milky shots of moving water. This Google page shows a gallery of shots using ND filters. Although it takes a little practice, here is how you do it. Instead of reducing the aperture to lower the light in your camera use an ND filter. This allows you to set the shutter speed appropriately for the motion blur. Of course you will have to do this in manual. Also, you will have to try out a few shots to get the shutter timing right. The camera light meter will be miss-leading behind the filter and because the light conditions will be variable. After a little practice you will find it is easy.

You will notice that the ND picture above looks rich and well exposed despite the bright sunlight. Tripod mounted shots of flowers in bright sunlight are easy because you can prevent the colours washing out and have a wide open aperture. This allows you to have a shallow depth of field so the flower is thrown into sharp focus and the background is out of focus.

Slow moving things can be blurred by using an ND filter. Just take a shot using the ND filter and the slow moving object will develop motion blur. You can do this in low light with the hands on a clock.

Fast moving objects tend to disappear in long exposures. Take a picture of a building from across the road and passing cars will normally ruin your shot. If you use an ND filter and set up a very long shutter opening one or two cars the cars will not bother you or ruin your shot. If you are doing a 30 second exposure two cars, total 0.5sec in front of the camera will not be there long enough to show up.

If you set your aperture to a really high f-number, say f22, and take a landscape shot with an ND filter, you will be able to control the light and at the same time the sharpness. the long exposure will ensure that you can put your ISO on a low setting and get a high quality result. Taking a shot this way will allow you to get detail in your shot right through to infinity.

Finally, if you use an ND filter to take a shot of the moon you can do around a 15 to 20 second exposure without the moonlight blowing out the picture and just appearing as a round bright disc. The ND filter cuts down the light and helps the detail to come out.

ND filters also come in two sorts – full filter and graduated. So far I have mostly talked of the full filter. The filtration is applied uniformly across the filter. However with a graduated ND filter (or ND Grad.) the filtration is taken only half way across. This can then be applied to the sky above the horizon to bring down the brightness of the sky. At the same time the un-filtered half allows all the light through so the land beneath the sky remains un-dimmed. This helps create an even balance of light across the shot. ND grads are used a lot by landscape photographers who would rather get the shot right in camera than spend hours in photoshop.

ND filters come in a variety of strengths. The ND2 halves the light allowed through. The ND4 lets only 25% of the light through. An ND8 allows only 12.5% of the light through. In fact every succeeding strength halves the light of the proceeding strength. You can buy ND filters that let in less than 100th of the light through. In most cases amateur photographers find an ND8 is the strongest they will need for most ordinary purposes. Again, a little practice is required to see which strength is most useful for different light levels and shots. The best way to learn to use the ND filter is to get out there and try one.

There are a big range of types of filters. If you want to know more about filters in general I will be doing some more articles on this subject in the future. It is definitely worth trying them out. I use different filters for different purposes. However, it is worth buying a starter kit. Here are some suggestions…

Please remember that filters do a lot of different jobs. It is worth finding out about them before you buy. Here are some starter points. There are two types:
Slide-in filters go into a front mounting frame on the end of your lens. A fitting kit with adapters allows you to fit the kit to a range of different sized lenses. Make sure you buy the right one fitting kit for your camera.

The other type of filter are dedicated round ones that screw into the thread on the front of your lens. You can buy adapter rings for these too. In general people buy the one for their lens and only use it on that lens. Screw on ones have limited use compared to the box loaded ones. Since they fit only one lens size they tend to be restricted to one lens unless all your lenses are one fitting size.

If you would like to find out more about filters here are some great books on the subject…

By Damon Guy (author and Photokonnexion editor)

Damon Guy - Netkonnexion

Damon Guy (Netkonnexion)

Damon is a writer-photog and editor of this site. He has run some major websites, a computing department and a digital image library. He started out as a trained teacher and now runs training for digital photographers.
See also: Editors ‘Bio’.

Filters – Some Reasons To Love Them

Filter making is a craft

Over the years it is possible to collect a lot of filters. They are sometimes a necessary item in the kit bag an sometimes something to be bought out for a particular shot. However, every time I buy one I wonder why they are so expensive. After all they are only a bit of coloured plastic in a frame – aren’t they? Not so! This video shows you how they are made and what goes into making them.

Despite all the modern technology in up to date photography, filters are still hand crafted. Each one may take several days to make, including the ‘cooking’ phase. It is a surprisingly hands-on process involving a number of quite technical steps. When you consider how much goes into making these things it is not surprising there is a heavy price attached. Yet a good quality filter is worth its weight in gold when getting the right shot. Since seeing this video I will not feel so bad about handing over my money next time… and I learned a lot about filters. More on filters after the video. Enjoy!

But… Are they really necessary?

Here are some reasons to love filters…

  • They create great light in-camera saving post processing
  • Some can do things that cannot be done in processing
  • They protect your expensive lens
  • They can create effects that are unique to the scene

The fact that filters can do things in-camera that cannot be done in processing is excellent. For example, a polarising filter gives a blue hue to the sky that is difficult to produce in post-processing. It is also closer to the sky colour we actually see rather than the washed out colour most photos create. Some filters are also great for reducing glare and reflections, making shots through liquid and glass easier. There are a wide range of other effects that they can create too. More on that in another article.

Filters can be expensive but I know they are not a rip-off – they are the result of a time consuming craft process. There are some very good reasons to know more about them. If you would like to know more about filters here are four great books on the subject…

By Damon Guy (author and Photokonnexion editor)

Damon Guy - Netkonnexion

Damon Guy (Netkonnexion)

Damon is a writer-photog and editor of this site. He has run some major websites, a computing department and a digital image library. He started out as a trained teacher and now runs training for digital photographers.
See also: Editors ‘Bio’.