Tag Archives: Approach

Six tips for reigniting your photographic passion

Reignite passion in your photography - try charity Work

• Charity Work •
Doing a bit of charity work can really uplift your photographic spirits while helping others. It is a great way to make contact with new people, get interested in new things and Reignite passion in your photography.

Discover your passion again…

Sometimes it can all go wrong! You just cannot get it right and you’re not bursting to take the next shot. When things look down don’t give up. This is the time to take new steps to invigorate your approach. Photography with a passion is one of the most exciting and interesting pursuits. When the passion fades it is not because photography is not engaging. There’s enough in photography to keep you captivated for a lifetime. More likely your vision has become distracted, stale or you’ve lost the creative spark. These are not long term problems. Lets get you fired up again! Here are six tips to reignite passion in your photography.

Reignite passion :: Take a photogs break

We are not talking holidays here. Although that would be nice, actually it would not solve the problem. Holidays make you want to take the camera out. When you are down in the dumps about your photography, more photography can be off-putting.

Take a real break from photography. Have a month off. Tell yourself to put all your equipment away and don’t be tempted to touch it. A rested mind is a freshened mind. Just forget your photography, your composition, your equipment. Rest.

Reignite passion :: Do something different

One of the most creativity stimulating activities is to learn something new. It helps you to cross fertilise your ideas and introduce new perspectives to your thinking. Adding a new dimension to your outlook can only be a good thing for your photography. So read something you would not normally read. See something you would normally not be interested in. Do something your partner wants to do without taking along a camera. If you had an interest in the past that you have neglected, spend a little time getting up to date on it. The wealth of our experience is the greatest gift we can give our creativity. Try this little trick. Pick out ten techniques from another interest. Think about ways to incorporate those skills into your photography. This new synergy will be sure to reignite passion in your photographic work later on.

Enjoy a few weeks of photographic respite, and immersion in an alternative area of insight. Bath in its luxury. Now you are ready to reignite your passion…

Personal contact will help you reignite passion

I have always found that meeting new people and having new discussions helps me get really fired up about photography. Every year I do two or three charity events. It is a really fun and cleansing experience. I come away from each of these events feeling refreshed and tingly – as if I had stood under a hillside waterfall. The sharpness of the water making my skin sting and turn ruddy.

One of my charity activities is to take the photographs at a local event held for senior citizens. Sobering too. As they sit eating their lunch I chat at each table for about ten minutes then take photos of each of the guests. During the course of about two hours I talk briefly with over 100 people and take a quick and candid portrait of them all. Wow. What stories I have heard – of war and love, action and sadness. It has not only helped my photography to be more passionate and expressive, but it has helped me grow as a person too. I have some great pictures as well.

Find something to get you involved in something new. Charity is great, but schools, drama groups, local clubs and even sports organisations all love photographers. Get involved. You might learn something new and you will certainly find a new way to express your photography and reignite passion in your hobby. The most important thing is getting involved with the people. That will spark off new contacts, opportunities and enthusiasms.

Reignite passion through commitment to a project.

Give yourself something to develop. It could be learning how to photograph your new interest in the club or group you have got involved with. Or, equally, it could be some aspect of photography that is new to you. I spent a lot of time two years ago developing my table-top work. It re-invested my interest in photographic art, as well as complementing the product photography I started to do for my work. Funny how things come together in your life when you start exploring new angles.

If you are working up a project for yourself enjoy it, but have some goals. A project with no plan or goals soon gets forgotten. Then the point will be lost and so will your passionate commitment. Sit down at the start of the project and have a good think about what you want to achieve. Then, set a deadline for completion. The key to a good project is to make it time-bound and challenging; cover new material and have specific targets. You will reignite your passion by just having those positive goals and thoughts in mind.

Reignite passion :: Learn a new technique

We would all like to learn more about photography. The simple away is in bite sized chunks. Pushing the boundaries to learn it all at once will simply lead to failure. That will make things worse for an already down time. So, find out about a particular technique. Practice in lots of different situations and with a variety of equipment. Put it to use in your project, your charity work or in your every day shots. Before long you will be a proficient and enthusiastic user of that technique. Sometimes you can help this process along by buying a new piece of equipment. It does not need to be expensive. Make it something you have never tried before – try to extend your experience and your approach with it.

Change your work flow

I have often noticed with developing photographers that when they learn to be more effective editors their success as photographers improves. Obviously a more effective editorial process relies on good knowledge of post production, and composition too. The more important point is that being more ruthless about what is an acceptable photograph also helps you when you are looking through the viewfinder too. Your eye develops, your acceptance of what should be in the frame is more discerning and your satisfaction with your shots goes up.

If you are in the photographic doldrums studying editing will sort out your problem. But, it can be a great way to sharpen your awareness of your good points and what needs improvement. Once you have a framework to improve your whole attitude will lift and be more positive. So think about this as a way to positively sharpen your photographic wit and reignite passion and feeling in your work.

The path to success

If you want to become a good or great photographer, or if you just want to make a better job of photographing your grand children… its possible to get stuck along the way. There are a variety of ways you can get out of the down times. Being positive, resting and then trying new things will set you off in ways you never suspected you would enjoy. Give it a try. Extend yourself, push the boundaries, try something new – have fun!

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By Damon Guy (author and Photokonnexion editor)

Damon Guy - Netkonnexion

Damon Guy (Netkonnexion)

Damon is a writer-photog and editor of this site. He has run some major websites, a computing department and a digital image library. He started out as a trained teacher and now runs training for digital photographers.
See also: Editors ‘Bio’.

Documentary… Ansel Adams

Ansel Adams

• Ansel Adams •
One of the all time greats in photography. This video is about his life, thoughts and work.
Image taken from the video.

The thinker-photographer…

There is a great deal to be said about Ansel Adams. He was a great photographer, thinker and artist. He was also an accomplished musician.

This post was about Ansel Adams.

Unfortunately the video was taken down from YouTube.

We have other Ansel Adams Resources on Photokonnexion.

At the time the video was removed it did not appear available online in another place. However, the subtext for the video as it was published is below. You may find it useful to use the text in case this video becomes available again at a later date.

Subtext for the video

Published on 29 May 2013
“The American Experience” Sierra Club Productions – Steeplechase Films
Ansel Adams is the intimate portrait of a great artist and ardent environmentalist — for whom life and art, photography and wilderness, creativity and communication, love and expression, were inextricably connected. ANSEL ADAMS, a ninety-minute documentary film written and directed by Ric Burns, and broadcast on national public television in April 2002, provides an elegant, moving and lyrical portrait of this most eloquent and quintessentially American of photographers. Written by Joshua Mueller
Category: Education
Licence: Standard YouTube Licence

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By Damon Guy (author and Photokonnexion editor)

Damon Guy - Netkonnexion

Damon Guy (Netkonnexion)

Damon is a writer-photog and editor of this site. He has run some major websites, a computing department and a digital image library. He started out as a trained teacher and now runs training for digital photographers.
See also: Editors ‘Bio’.

A post to make you think… photographic creativity

Your Body My Canvas

• Your Body My Canvas •
Simply turn things upside down to get a new perspective.
(Image from the video).

Take a new perspective.

The greatest inventions are often originated by people who play with ideas. They are not afraid to experiment, to try a different way. Creativity is more than just the sum of your experience. It is also the capacity to make mistakes, to explore ideas beyond the norm and to simply have a go.

And so she tried painting…

This video captures so much about what makes photography exciting – the unique experience and personal extension that goes into making every picture. I gained a lot from this short video. Here are seven reasons I think you will gain from watching too…

  • Photographers try very hard to make a two dimensional image look 3D. Alexa Meade is trying hard to make a 3D image two-dimensional. A bizarre concept, but enlightening. It teaches us so much about the nature of ‘form’ – the 3D manifestation of objects.
  • She shows that the nature of shadow is both transient and yet fundamental to the creation of both 2D and 3D images. This is something that photographers really need to understand and be able to observe.
  • Alexa Meade gave up her aspirations and suddenly became a painter/photographer with no previous training. She took a chance, tried something different, and got caught up in the idea. This launched a unique career and artistic experiment that provides us with some excellent photographic insights. This video shows that experimentation is the manifestation of creativity. This is a principle that learner photographers will gain a lot from exploring.
  • In her work she is marrying painting and photography. Some of the worlds most creative people are successful because they take things that are completely disassociated and create a new synthesis. You can do this too. Take your previous knowledge, your wider experiences and try to put them together in novel or unique ways. You are certain to hit some new perspectives for your own photography.
  • Photography is about art meeting technology. What’s created is an interpretation which is a unique communication by the photographer. This project is an outstanding example of that idea.
  • Alexa Meade follows a wonderful creative process in her work. She works through her visualisation. Her concept defined, she then applies the technology… visualisation, concept, action. This is a great model for producing creative images.
  • The artist in Alexa Meade has found a unique way to express herself buy turning well formed concepts upside-down. Not only is that brave, but it’s likely to lead to more wonderful insights. Creative work is often about dumping convention and trying another way. Think how you could use this idea in your photography.
Alexa Meade: Your body is my canvas


Uploaded by Ted.com  External link - opens new tab/page

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By Damon Guy (author and Photokonnexion editor)

Damon Guy - Netkonnexion

Damon Guy (Netkonnexion)

Damon is a writer-photog and editor of this site. He has run some major websites, a computing department and a digital image library. He started out as a trained teacher and now runs training for digital photographers.
See also: Editors ‘Bio’.

Ansel Adams – Master Photographer

Ansel Adams Video

• Ansel Adams BBC Master Photographers (1983 •
Ansel Adams speaks about his photography and his development.
Picture taken from the video.

Exquisite insights to a legend.

The videos I show are usually for you to quickly watch and learn. This one’s different. It’s longer (34 mins.). And, there is so much in it that you will want to watch it over and over again. The wonderful insights run deep and some show us how much photography has changed.

Ansel Adams’ ideas, photographic insights and depth of feeling is magnetic. He was probably one of the first philosophers of photography. He was one of the undoubted masters too. I hope you enjoy this video as much as I did.

Ansel Adams – “BBC Master Photographers” (1983)

Uploaded by: Rob Hooley External link - opens new tab/page

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By Damon Guy (author and Photokonnexion editor)

Damon Guy - Netkonnexion

Damon Guy (Netkonnexion)

Damon is a writer-photog and editor of this site. He has run some major websites, a computing department and a digital image library. He started out as a trained teacher and now runs training for digital photographers.
See also: Editors ‘Bio’.

When to ignore the rules

 Symmetry • by aebphoto, on Flickr

The arrangement of your pictures can be so much more than a simple rule followed.
Click image to view large
Symmetry • by aebphoto, on FlickrExternal link - opens new tab/page

What works tends to get overworked…

The “rule of thirds” works in more than 95% of photographs. OK, maybe there is not a certain statistic like that. But it sure is effective to the eye. For that reason it helps us to compose most of our photos.

The principle behind the rule of thirds is not a universal “Law”. No one went to prison for violating it. It is more what we might refer to as a guideline. The rule helps us to compose a picture to meet the expectations we have wired in our brains about what is pleasing. Aesthetics is a funny thing – we all have our own preferences about what we like. However, we all seem to have some generally appreciated ideas. The rule of thirds seems to be one of them.

What if you feel like breaking the rules?

No problem. Do it!

A cavalier attitude to breaking the “rules” when you are learning photography, or any art, is a good thing. The difficulty is knowing what will work when you stray from the guidelines. That is a fair point. But there is no need to be fearful. You need to have a go to see what will work. And, like any experimentation, you will more likely be unsuccessful than successful.

Ah! But if I am going to be unsuccessful then why try? The simple answer to that is so that you can know yourself and your audience better.

No artist is born as a seasoned and finished creative. They all devote long hours to learning, experimenting and listening to the thoughts of others on their work. In other words, they practice, practice, practice. They get feedback. Then they practice some more. There is a lot of work and experimentation in becoming an artist.

Breaking the rules is about trying out something lots of times. If you have one particular passion for your photography then go for as much variation and feedback on your work as you can. You will perfect your shots only when you know that the work is capturing attention and holding it.

A more general approach to your photography, photographing many different things, is another approach. However, it is reasonable to take a similar attitude. Instead of trying out lots of shots about one subject you can try lots of different angles around each subject. I am not talking about a machine gun blast of pictures from one button push. I am talking about genuinely working the scene. Try all the angles, all the possible ways to frame your subject. Do some of the shots in a traditional way (Rule of thirds etc). But do some shots that are decidedly not traditional. It is all about experimentation.

As long as your approach is considered…

Louis Pasteur External link - opens new tab/page, the father of modern microbiology said, “Chance favours the prepared mind”. He did not mean you should go shooting off random shots at everything in sight. What he meant was you should consider your options. Know your subject. Experiment with a good knowledge and background in your subject. Move forward in a logical and consistent way. It is this approach that will help you to learn to successfully break the rules. Know what the different shots are about, how the different methods of composition can affect the shot. Understand how the different shots would affect your subject, or experiment until you know.

Practice, practice, practice… and careful thought about what you have done and what you are going to do is a route to success. Enjoy the journey as well as the outcome!

By Damon Guy (author and Photokonnexion editor)

Damon Guy - Netkonnexion

Damon Guy (Netkonnexion)

Damon is a writer-photog and editor of this site. He has run some major websites, a computing department and a digital image library. He started out as a trained teacher and now runs training for digital photographers.
See also: Editors ‘Bio’.

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Three minutes of peace and tranquility and endless fun later!

Ink Drops

• Ink Drops •
The feeling of peace and tranquillity can come with many aspects of photography. This is something you can think about and possibly do yourself.
Image from the video.

Seeing and capturing

Every interest has its peaceful side. Photography is no different. For a change here is a video which delivers three minutes of peace and tranquillity. It is possibly something you can have a go at yourself…

Whats going on – can I do it?

What you see in the video is very simply drops of ink into water. The water is sometimes still and sometimes moving very gently. It is simple to do but infinitely complex in the outcomes. Anyone can do it.

There are literally hundreds of different inks on the market. Have a look at this…

Drawing Inks Assortment Set of 12  External link - opens new tab/page
A great set of varied colours. Can be used to create coloured water and for droplet mixes. Great for experimentation.

Here are a few other types of ink you can choose.  External link - opens new tab/page

I have a range of colours I use for water work. You can also use food colourings. Basically the technique is like this…

  • Set up a glass jug, vase or small tank (flat sided is best).
  • Make sure it is very, very clean.
  • Have a dry cloth available to wipe the glass dry if you spill.
  • Use a remote flash or domestic lamp set to the side.
  • Place a black or white card behind your glass vase.
  • Mount your camera on something solid. A tripod is best.
  • Set your camera to auto-white balance.
  • Set the ISO to 100.
  • Use Shutter Value [Sv, Tv etc.] as your shooting mode
  • Use f11 as your setting to shoot right through the water.

You will need to have the light on from the side of the shot. An on-board flash will cause the ink to appear very flat with the light coming from the front. This will ruin the effect.

If you want added brightness from behind you can add a light shining onto the background card. This will lift the internal colours.

Then, as with everything in photography you will need to experiment with the light and conditions you are working with to get the best shots.

The technique

Your water should ideally be about six inches deep. Drop the ink into the water and start clicking your shutter button. You can do it quite a few times as the ink forms up the shots. Once you are satisfied there is no more shots to be had then replace the water and start again.

People spend literally years working with this sort of effect. It is not only great fun for everyone from beginners onward, it is also great art. There are many fine art photographers who work on this sort of image for a living. There is also endless amusement, beauty and some wonderful images. The technique works for both still photography and videography.

INK DROPS

And now for your three minutes of peace and tranquility – enjoy!

Jacob + Katie Schwarz  External link - opens new tab/page

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By Damon Guy (author and Photokonnexion editor)

Damon Guy - Netkonnexion

Damon Guy (Netkonnexion)

Damon is a writer-photog and editor of this site. He has run some major websites, a computing department and a digital image library. He started out as a trained teacher and now runs training for digital photographers.
See also: Editors ‘Bio’.

Action portraits… easy to do

Action Portraits

• Action Portraits •
Getting the shot in action situations is not difficult although the lighting can prove a key aspect of success. (Shot taken from the video)

Getting it right…

Most photographers have a go at action shots. Vehicles are common targets – they are easy to find and fun to do. Action portraits can be great fun too and you can do them at home.

Lets talk flash…

 Set up pictures at home to show some action.

Easy action shots at home for anyone.
“Some more bed-jump!!” by Mr Din, on Flickr  External link - opens new tab/page

In its most basic form, it’s a portrait of someone in motion (action?). The wonderfully muscled fighter in the shot above is one way to go. On the other hand pictures of your grand children jumping into the air can be just as effective – and probably more relevant for many of us!

Use off-camera flash for best results

The basic technique is to capture the action with a flash. You can use the on-board flash on your camera. However, it will tend to leave tight shadows on the wall behind the action because the flash is directly in line with the optical axis of the camera. Such shadows look artificial and are difficult to remove in post processing. They look as if there is a slight double image. In the picture of the jumping children the flash is from the left hand side. If you look carefully the shadows are projected away from the kids giving a more realistic feel.

Off-camera flash can be placed to the side of the shot and used to illuminate the scene, give it a little depth and off-set those harsh shadows. For this you can use an off-camera flash. I use this one…

YONGNUO YN460 Flash Speedlite for Canon Nikon Pentax Olympus…  External link - opens new tab/page
This is an excellent buy… it is inexpensive and can be used for any off-camera flash situations. It is reliable, robust, flexible and effective.

I have several of these flash units. At about one fifth of the price of a branded product they are excellent value. If you want to get something a little more sophisticated you can get the YONGNUO YN-560 II Flash unit  External link - opens new tab/page – also a great product. With inexpensive remote flash triggers  External link - opens new tab/page you can set them off when not connected to the camera.

What are you going to capture?

Plan out your scene in advance. You will need someone to be the action taker. You could use more than one person. Then, work out what they are going to do. Jumping on the spot is a favourite. You also try jumping or stepping off something like a chair or low table. You can do skipping, walking, Kung Fu, Juggling, tumbling, hula-hoop, playing ball… well all sorts of things.

How do you do it?

I am assuming that you will be working in a domestic room with a white wall behind the actions.

It is best to use a robust tripod to mount your camera. This is essential. Action shots often cause floor movement and you want a good tripod (Manfrotto 055XPROB)  External link - opens new tab/page and tripod head (Manfrotto 322RC2 Grip Ball Head)  External link - opens new tab/page to give you a chance.

You will need to pre-focus your shot and have it ready to take because you cannot easily compose for action in progress. So set up the camera in advance. Here are some typical settings to get you started…

  • Turn off image stabilisation on your lens.
  • Focus your lens on your subject then turn off the auto-focus.
  • Set white balance to the appropriate ambient light setting.
  • Set ISO to 200 (or 400 experiment).
  • Aperture priority (select F5.6 as a start) [Shutter speed will be set by the camera].
  • Flash synchronisation – 200ths or 250ths of a second (if you need to set it check your manual).
  • Flash setting, try the lowest setting or 1/16th or 1/8th power – again, experiment.

This will give you appropriate starting points. Check you shot and then make any changes to the settings. If you click up or down a setting – say aperture or ISO – then the camera will compensate with a different shutter setting for you. Experimentation is good!

OK, now you are ready for action… this part takes a little practice. The idea is to sit next to your camera ready to push the shutter button as soon as the action is where you want it. As you have already lined up your focus the person can now perform and you can press the button as you see fit to capture your shots. Fire away, enjoy yourself.

Two tricks you have learned here

1. The pre-set-up of your shot is important. There are lots of situations where you can do that. So think about it – that is one of the benefits of having a tripod.
2. Flash! The way to capture a good shot like this is to have a very fast shutter speed. That freezes the action. However, I have suggested you hand the shutter speed to the camera by using the “aperture priority” mode. Well, you can in fact control shutter speed another way. By varying the flash duration. “What?”… I hear your cry. “You did not tell us about that control! But I did. Flash intensity is always the same for any given micro-second. It becomes more intense for the sensor if you leave it on longer. When you set the power of the flash to low power you are actually shortening the length of the flash. Hence you are more able to freeze the action. However, to do this you will need to have your ambient light lower. So using natural light rather than bright room lights works better for this technique.

See how its done in a video

In the video you can see all this action in a full process. The photographer, Joel Grimes, starts off by some discussion about how he came to discover this secret and how he used it in a studio context. Then from about six minutes into the video he shows you how to take the shots.

Remember that the settings are important. He mentions about low power and says that it works to freeze the action IF the flash is more intense than the ambient light. Watch out for that.

One other thing worth looking at is the shot progression. He is constantly assuring his model that he has done a good job. Then he is at the same time developing his shot. He is constantly evolving the positions and situations until he gets the shot he wants. This is critical. Make sure you look out for odd lighting effects, hands over face, bits of body out of the frame etc… He works the shot to reach his ideal as he visualised it – then stops. Even great photographers have to practice and perfect a shot. This is quite a helpful lesson about that. Enjoy!
“Special FX, High Speed Action”

Framed show  External link - opens new tab/page

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By Damon Guy (author and Photokonnexion editor)

Damon Guy - Netkonnexion

Damon Guy (Netkonnexion)

Damon is a writer-photog and editor of this site. He has run some major websites, a computing department and a digital image library. He started out as a trained teacher and now runs training for digital photographers.
See also: Editors ‘Bio’.