Thinking about artworks.
A piece of work by someone else makes a great photo, or does it? Maybe, but in a way it is just a record, not a true expression of your view. Anyway, often a photo of an artwork loses something in the translation to a photo. Maybe you should be thinking of adding something to it.
Creating a synthesis
The person who created the original artwork or scene has gone to the same or more trouble you have. When you take a picture of their work you need to think about who is creating the work. A straight picture of another’s work is a sort of theft. However, in the context of the picture you can really make something of the scene – a new synthesis.
In the picture above you can see that Paul Donohoe has waited to capture the lady. She is not obscuring the art work. On the other hand the slightly odd pace gives it a new feeling. It is as if she is fleeing the scene. The whole picture, art work and lady, are something new. A synthesis of the original art work and the new aspect to the scene.
A judges view of the synthesis
I have often seen great pictures of sculptures really marked down in photo competitions. They are really a record of the art work. Not the expression of the authors thought on the art. Judges don’t know what to make of that. Who are they judging the sculptor or the photog?
I once heard a judge make a great comment about how a new synthesis matters. In the North of the UK there is a beach with random statues of standing men. Each day the tide comes in and out. The men stand on the sand, stoically staring out to sea. Submerged, or not, they present a simple but powerful image of man watching the world go by. One photographer had taken a picture of one of the men. Boring. The judges comment was illuminating. He said, “When you see them standing there in the cold and wet like that you just want to warm them up. What this picture needed was a bright red scarf around the statues neck”.
On that cold and dreary morning the bright scarf would have made the picture outstanding. The addition would have make it both the expression and the art of the photographer. Yet the new synthesis would have left the statue as impressive as before.
Look to make the scene yours
No matter what you see you always present something of yourself. You cannot help but interpret the scene. When looking at the artwork of others the attention is lost from your picture to the art you are capturing. So, make the scene yours. Find a way to add something or change the scene so you are putting your stamp on the situation.
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Photokonnexion Photographic Glossary – Definitions and articles.
Paul Donohoe also has a street photography blog
See also: Editors ‘Bio’.
By Damon Guy see his profile on Google+.
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