Tag Archives: Focus

The Eyes Have It… nine ways to emphasize eyes

The eyes are often the most important element in a photograph.

"Bison" - The eyes are often the most important element in a photograph. Make them central to your shot if you can. Your viewer will almost always start there.

The most important element of a photograph

The power in the eyes of a person or an animal draws your viewer into your photograph. The stronger and more prominent you make the eyes the more you will capture the attention of your viewer.

There are many ways you can help emphasize the eyes…

Focus:
Nearly always the eyes should have the most sharpness. If the eyes are sharp then you will be able to get the attention of the viewer. You can of course vary your depth of field and your softness for other parts of the picture, as long as the eyes are sharp.

Thirds:
As with any composition the eyes are a significant element. You can really highlight them well if they are on one of the ‘Rule of Thirds‘ grid points. If it is not easy to fit them to a grid point then try to put them on one of the lines of thirds. Both these positions will make them have a more dynamic position in the picture.

Lines:
Often when composing a picture it is possible to use the eyes to join up with other compositional elements. The eyes have two points which implies a line between them. If you are able to put them on a line with something else in the picture the implied line will draw the eyes of your viewer. That implied line is a powerful way to get your viewer involved.

Line of sight:
A very strong compositional tool is to use the eyes of a subject in the picture to point out something else in the picture. This is done by photographing the subject with their eyes looking toward another significant object in the picture. This correspondence helps the viewer to understand the prominence of both the subjects. Lots of expression on the face of the ‘looker’ helps with this one too. Often this is a great ploy for a ‘different’ photograph at a tourist site. Photograph a tourists eyes drinking in the view and you will provide a great interplay between the tourist spot and the other person. You will be showing not only the human element but also the famous place.

On the diagonal:
The eyes are normally seen evenly placed on the horizontal. As that is how we normally see them they are, well, normal. If you ask your subject to incline their head a little so the eyes are slightly on the diagonal they have a new dynamic… er, not normal! Do it, you will see how effective it can be. Not for every picture, situation or face, but a great ploy in a set of photos. The inclined head is often the image that gets picked out. (See: Nadia by Enigma Photos – below).

Rapport:
Often, when taking a portrait, the eyes look alive and dynamic when they appear to make contact with the photographer. Remember your viewer is looking at you when you take the shot, but they are looking directly at the viewer of you shot too. That has a great impact on the viewer. So if you can build a rapport with your subject the eyes really seek out the viewer and have a greater impact as a result.

Catchlights:
The eyes often look dead and lifeless if there are no ‘catchlights’. That is the photographers term for that little flicker of light that you see in the eye… a reflection from a near light source. The catchlights give life, shape and direction to the eye. In fact portrait photographers are obsessive about getting these little compositional elements right in the eyes because they eyes just die without them. Really study catchlights and find opportunities to put them into your shots. Your photos will come alive.

Emotion:
The eyes often convey great emotion. Just look at the eyes of a winner in a sports competition. Wow! They say it all. Now capture the eyes of the loser. Wham! Real impact. Get those eyes in focus right at the moment of the fully expressed emotion and you will have a winner.

Not there…
Sometimes it is what you can’t see in a picture that provides the impact. Eyes, or at least where they should be, can be very impactful if they are not where you expect them.

Here are a few pictures that really show the impact of eyes. I hope that some of them inspire and inform your own shots. Why not leave a link in the comments so we can see your eye shots too.

Eyes, Dwarka  Green eyed little girl, Dwarka, Gujarat, India.

Eyes, Dwarka Green eyed little girl, Dwarka, Gujarat, India.

On this link you can see a really captivating pair of dogs eyes. Wonderful focus and excellent perspective… Beagle eyes External link - opens new tab/page

Here are a really dynamic pair of childs eyes. Wonderful capture! Behind these hazel eyes… External link - opens new tab/page

The eyes have it! Papu in Pushkar, India

The eyes have it! Papu in Pushkar, India


Eye Contact

Eye Contact


Eyes wide shot

Eyes wide shot


After Feeding

After Feeding


Nadia by Enigma Photos

Nadia by Enigma Photos


Eyes wide open by umar.s, on Flickr

Eyes wide open by umar.s, on Flickr

This link takes you to a photograph that is exciting because of what you cannot see… Look External link - opens new tab/page

I've lost sight of the things that matter by Melissa Turner., on Flickr

I've lost sight of the things that matter by Melissa Turner., on Flickr


Wolf by Netkonnexion On flickr

Wolf by Netkonnexion On flickr

By Damon Guy (author and Photokonnexion editor)

Damon Guy - Netkonnexion

Damon Guy (Netkonnexion)

Damon is a writer-photog and editor of this site. He has run some major websites, a computing department and a digital image library. He started out as a trained teacher and now runs training for digital photographers.
See also: Editors ‘Bio’.

Abstract photography – what it is and how to do it

Abstract photography - great pictures and lots of fun!

'Red' - In the style of Rothko
Abstract photography can produce great pictures and be lots of fun!
Concentrate on colour, form, shape and focus for best effect.
Click to view large.

What is Abstract Photography?

“Abstraction forces you to reach the highest level of the basics.”

Alan Soffer

Abstract photography concentrates on the very simplest of components in a piece of art. Those are are known as the “Elements of Art”. They are…

  • Line;
  • Two dimensional shape (2d);
  • Three dimensional (3d) form;
  • Colour;
  • Space;
  • Tone, and
  • Texture.
Extra dimensions in abstract photography

Two extra dimensions are often found in abstract photography. One is the use of ‘movement’ – mostly through movement-blur. Perhaps, used more often is the use of focus, especially by controlling the depth of field. In addition, abstracts often incorporate “pattern”, which is a more complex structure from the “Principles of Art”.

Photo abstracts take the viewer away from knowing or recognizing the subject. Instead they invite the viewer to almost ‘feel’ the textures, forms and other elements of the subject. Often abstract photography makes the object unrecognisable as an object in its own right. Instead it directs attention to the look and feel – the essence of the object.

For a more detailed definition of Abstract Photography check this page in our Glossary…
Abstract Photography – a Definition

How to Shoot Abstracts

Abstracts are about our creativity and not about the object. The simple shot above, with its rich emotional orange, is a glass of water coloured with red dye and slightly backlit with a desk lamp. Many abstracts are created using the simplest things – often they are found around the home. Abstract photography is all about simplicity. Getting down to the basics is often the best route to a good abstract.

Using the “Elements of Art”

The list above is perhaps difficult to think about in terms of actually creating an image. However, think carefully about what you see in the frame for your shot. Often you can see these simple elements in your subject. Try to simplify your shot so that you see only one, two, or at most three of those elements. If you manage to get the image to remain simple, you will make the shot more understandable. If you also manage, through that simplicity, to capture the readers eye, you will excite the viewer. Simple components, simple connections, simple insight to a subject – all these give you effective abstract material.

Study the Elements of Art, at length. Try to see the simplicity within your frame. That is the key to developing your insight into abstraction.

Other techniques…

To help you shoot a few abstracts I have put a list of things you can try below. Try one, or a few at a time. Compare them to some of the examples in the links below the list. Reduce or remove clutter. Keep your shot as simple as possible.

  • Look for patterns – especially very close up.
  • Textures – show the ‘feel’ of surfaces and faces of an object.
  • Try unusual or unique angles.
  • Use a macro lens, macro tubes, or get really close.
  • Crop very tight to an interesting/unrecognisable part.
  • Concentrate on multiple colour variations without showing the whole object.
  • Concentrate on tonal variation – minimise colours.
  • Use long, low light exposure to bring out subtle shadow variations.
  • Use soft or hard light variations on close-ups.
  • Emphasis the ‘shape’ (2d) of an object – keep it from being recognised.
  • Exaggerate the ‘form’ (3d) of something – keep it from being recognised.
  • Concentrate on curves and rounded shapes or forms.
  • Concentrate on angular and geometric shapes or forms.

Many of these can be applied to everyday objects or common items. Once you become aware of the shapes, forms, patterns and textures in the things around you a new world opens up. So try to take one of the above and spend a few days looking at everything around you for ways to see that item. Then move on to others. Before long you will be an abstract photographer!

Damon Guy - Netkonnexion

Damon Guy (Netkonnexion)

Damon is a writer-photographer and editor of this site. He has run some major websites, a computing department and a digital image library. He started out as a trained teacher and now runs training for digital photogs.
See also: Editors ‘Bio’.
By Damon Guy see his profile on Google+.

What is an Adjustable Camera?

Making changes to the settings on your camera is pretty important if you want high quality photographs. You will need an…

Definition: Adjustable Camera

Definition: Adjustable Camera | Glossary entry

Adjustable Camera

Adjustable camera - settings can be adjusted manually

Adjustable camera - settings can be adjusted manually

An adjustable camera is one that has settings that can be adjusted manually. A fully adjustable camera can have its focus, ISO, aperture and shutter speed adjusted.

The focus can be adjusted so the subject can be in focus as close to the lens as the lens itself will focus, and as far away as infinity. Some lenses are more restricted in their range, but the adjustment is still there to allow manual focus. Some lenses are fixed with no focus. In this case there is no adjustment. This was more common in film cameras. Today, most digital cameras tend to have some sort of focus control, although not all of them.

The shutter speed can be adjusted – so the adjusted setting determines the length of time the shutter stays open. Normal shutter speed variations lie in the range of 2500ths/sec down to 30 seconds duration.

The aperture, the hole through which the light enters the camera, can have its size adjusted. This determines how much light can enter the lens while the shutter is open. The aperture values available can vary according to the lens.

In a film camera the sensitivity of the film is determined by loading a film that is suitable for the Ambient Light where the photographer is shooting. In a digital camera, the ISO setting allows the photographer to adjust the sensitivity of the digital sensor. The setting of ISO sensitivity allows the photographer to control the brightness range that the camera can work within without clipping details from the highlights or extreme shadows.

All Digital Single Lens Reflex Cameras are adjustable. However, many point-and-shoot cameras are not adjustable. This is because some point-and-shoot cameras are usable without any adjustment or a few simple adjustments. In general, an adjustable camera requires that the critical factors for photography are adjusted – focus, ISO, aperture and shutter speed. They may have other adjustments and various photographic modes too.

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By Damon Guy (author and Photokonnexion editor)

Damon Guy - Netkonnexion

Damon Guy (Netkonnexion)

Damon is a writer-photog and editor of this site. He has run some major websites, a computing department and a digital image library. He started out as a trained teacher and now runs training for digital photographers.
See also: Editors ‘Bio’.

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By Damon Guy (author and Photokonnexion editor)

Damon Guy - Netkonnexion

Damon Guy (Netkonnexion)

Damon is a writer-photog and editor of this site. He has run some major websites, a computing department and a digital image library. He started out as a trained teacher and now runs training for digital photographers.
See also: Editors ‘Bio’.