Category Archives: Review

Description: review, evaluation, examination, study, analysis, audit, check, consideration, file, inspection, reassessment, reconsideration, reflection, report, rethink, retrospect, revision, scan, scrutiny, study, survey, view
May include: criticism, judgement
Notes: criticism is an evaluation or judgement of something, while critique is a somewhat elevated term for the same thing; review is used as a synonym for these but may also imply a more comprehensive study

How to work with your camera settings – a simple, fun lesson

CameraSim – website to try out exposure settings.

Camera settings can be confusing without guidance. This website provides camera simulations allowing you to vary settings and learn the relationships between them. It’s interactive – try it – it’s fun!

The simulation above is a fully working version from the website. You can also go to the CameraSim website and try it there. If you cannot see the simulation please comment below. Then try it on the CameraSim website instead.

Trying it out

As you can see above the controls allow two types of set up. Lets walk through an introduction.

On the left are the controls that allow you to set the lighting and the the focus controls for your distance-from-subject and focal length for your lens. The light level allows you to simulate the ambient light levels. Set the light and your distance/focal length points first.

The girl on the screen moves continuously and so does the windmill. This allows you to try out settings for capturing movement. The two different rates of movement give you a chance to try freezing one or both or allowing some movement blur. It gives you a controllable situation so you can experiment.

By selecting ‘manual control’ you give CameraSim no control over the settings – just like a real camera. Click ‘Manual’ control now. I will explain a few points.

In the centre of the viewfinder screen is a green scale and figures. If you cannot see it press the silver button to return to the viewfinder view. The ‘needle’ is centred below the scale. If you now move any of the ISO, Aperture or Shutter Speed settings you will see the needle shift to indicate the exposure setting. If it moves to the right it will be over exposing (by up to two stops of light). If you change a setting and the needle moves left you will be similarly under exposing. Also, moving a slider will change the corresponding value on the green settings shown.

Try selecting Aperture Priority (A) – slide the aperture slider. You will see the needle in the screen does not move. In ‘A’ mode exposure is controlled by the camera. If you slide either the ISO or ‘A’ setting the shutter slider is set by the camera. As they slide, the needle in the viewer window stays centred. When this happens the camera is keeping the exposure constant at an ‘ideal’ position. It keeps this position by moving the Shutter Priority (Tv) or Time Value setting to compensate. So, if you move the aperture slider to the right this makes the aperture smaller and reduces the incoming light. CameraSim moves the shutter slider to the left. This means the shutter is open longer to let in more light to compensate.

If you select the Shutter Priority slider the same situation occurs. The Aperture Slider is disabled. Now the camera controls aperture if you change the Shutter speed (Tv).

Pressing the shutter button on any setting and you can take a picture. When you do, the exposure created by the shown settings is captured. The screen then turns into a simulation of DSLR back-screen showing you the exposure. Press the silver button to return to the settings/viewfinder.

A lot of thought is needed to master settings. Practice and understanding takes time. CameraSim is a great idea – it allows you to play with settings and get a feel for them.

The picture of the girl and playground is a bit limited. However, it allows you to explore the settings with a constant view. This simple situation lets you test different scenarios without confusing variation of scenes.

No such thing as a perfect exposure

CameraSim has a few shortcomings. Cameras with Auto-mode, ‘A’ and Tv settings make it look like there is a perfect exposure – when the needle is centred. In reality the perfect exposure does not exist. There are lots of times when you want to over or under expose a scene for dramatic effect, mood or other scene-setting. Normally, to achieve these using AP or Tv, you would use “exposure compensation” which is not available in CameraSim. Of course it is possible to set under/over exposure by using the “Manual” control – that’s worth exploring.

Focus on the subject is limited only to the girl. So it is difficult to practice landscape shot-simulation. However, if you ignore the girl and move the ‘distance’ slider you can, sort of, practice the focus and control over the background. It would be quite a nice idea to have a few other types of views to try out. However, there is another version of CameraSim under DSLR Explainer  External link - opens new tab/page In this version you can see how the camera works while still tweeking the settings (only manual mode). In this simulation you can adjust the light settings (upper left of the picture). As you adjust the setting you also get a different picture view. You can go through the simulation step-by-step and it shows you how the camera works for ISO, A, and Tv. This version is not quite so easy to use and takes a little working out. It is worth trying out anyway.

Overall…

The CameraSim site is about a year old. It is still under development so we will hopefully see some great ideas in the future. It has great potential for teaching exposure and there is lots of fun to be had with personal experiments. There are some explanatory notes under the simulator on the site itself. So it is worth reading those or following the links below to the exposure information on Photokonnexion.

I like CameraSim. It is a great idea. However, I think it will be most useful for people working with an instructor or experienced friend. Some guidance and explanation is useful while you are experimenting to help you understand the exposure relationship. The author recognises this and suggests it is a great way to use the simulator. So maybe you will see it in a photography class soon. Do have a go, it helps you think about exposure in a very worthwhile way.


By Damon Guy (author and editor)

Netkonnexion

Damon Guy (Netkonnexion)

Damon is managing editor of Photokonnexion.com with professional experience in photography, writing, image libraries, and computing. He is also an experienced, webmaster and a trained teacher. Damon runs regular training for digital photographers who are just starting out.
See also: Editors ‘Bio’
By Damon Guy :: Profile on Google+


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How safe are your photography files from loss?

Electronic files are threatened by many dangers.

These come down to one of two problems. They can be electronically lost or hardware lost. There are simple things you can do about it. A proper backup strategy is something we should all have. Have you reviewed yours recently?

[Apologies - we cannot include pictures while we are experiencing Internet connection problems.]

It’s your happiness that’s important

As a keen photographer, if you lost your electronically stored photographs you lose the fruits of all your labour. If you are a keen family photographer you could lose all the memories those photos represent of good times and family togetherness. You might be losing both, or more if you have other uses for your images. Losing your files, and particularly ones that impact on your family life and memories can be quite traumatic. If your home is destroyed by fire the trauma is terrible. Imagine if you were to lose all your family photographs in that fire too!

When a disaster strikes – earthquake, fire or tsunami – the disaster organisations often quote the loss of photographs as causing serious problems for people recovering from trauma. Think carefully about taking appropriate action to protect your files.

Learning helps you gain more

Being keen about actually taking photographs can help you to enjoy yourself. You can also get more out of the subject if you learn more about it. If that also helps you to preserve your files and gain peace of mind it is worth investing a little time to protect your files.

Things change

You may have a great computer, it may even be new. Things change fast with technology. Before long your existing hard drive will be getting old, subject to mechanical failure. Hard drives are more reliable than they used to be. However, they are are still liable to fail. If you have all your data on a hard drive and the drive fails you will lose everything. I used to run an IT Department (information technology dept). I know how often hard drives just suddenly give up. Believe me do not trust to luck. One day you will lose everything. A mechanical failure will occur and your files will be lost.

Of course you may suffer from some sort of software error first. While working in IT I had hard drives that completely corrupted themselves. They were working fine. But everything on the drives was simply trashed beyond redemption. There are several ways this can happen. Virus or malware activity on the computer can be one cause. Damage to the file storage database is another possibility. There are other issues too.

Knowing about the reasons for file loss or damage is interesting. However, all you really need to know is that your files can be deleted, completely corrupted or otherwise damaged. This can happen at any time.

I know you are going to say you have firewalls, anti-virus and other protection. Yes, even those can be overcome by hackers and virus spreaders. Computer security is an ongoing battle. It never ends. You can protect yourself as much as you can afford. The worst can still happen – although it is less likely. And, that is the point. If you ensure you have all the right protection AND you back up your files you have the best possible cover of all.

Don’t panic

Yes, the answer is simple. Back up; back up; back up! Notice I said that three times? Well, for safety sake that is what you should do. The principle is simple. Here is how it works:

  • Level one: Updated every time you create a new file or change a file. Most hobbyist photographers will have this storage on the hard drive of their computer. It is the working storage space.
  • Level two (back up): I would advise this is an external/portable hard drive. Normally these plug into your computer using a USB connector. Each time you create new files or change old files, you copy them to the back-up external drive.
  • Level three (off-site backup): This is also an external/portable hard drive. You need to keep this copy at a different site to your computer and the level two back up drive. Then, if there is a fire at your house the level two back up drive is safe at another site. Then, about once a week, you copy all new files from your level two back up to the off-site level three drive.

So, in addition to your computer hard drive, you need two external hard drives. One stays next to your computer. The other you can keep in your office, or in a shed – anywhere out of your home. And, you need to back them up to each other regularly.

It’s supposed to be fun

Photography is fun. We all love it. However, losing all your files would be a a total disaster. You will be able to relax and enjoy your hobby all the more if there is a fall-back position. You can rest easy and feel comfortable with your hobby if you know that those files are safe. So look carefully at the situation. Think about getting yourself a couple of hard drives and putting all your files on them. Then you are covered.

Check out these external hard drives on Amazon:
External hard drives on Amazon

Also check out the links below for more information on files and file protection…


By Damon Guy (author and editor)

Netkonnexion

Damon Guy (Netkonnexion)

Damon is managing editor of Photokonnexion.com with professional experience in photography, writing, image libraries, and computing. He is also an experienced, webmaster and a trained teacher. Damon runs regular training for digital photographers who are just starting out.
See also: Editors ‘Bio’
By Damon Guy :: Profile on Google+


Can you write? Of course you can!
Write for Photokonnexion...

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Focus On Imaging NEC Birmingham 3 – 6 March 2013

Focus On Imaging 2013

Focus On Imaging 2013  External link - opens new tab/page
National Exhibition Centre Birmingham 3 – 6 March 2013

A broad range of new equipment.

It appeared from busy aisles at this years Focus On Imaging Exhibition External link - opens new tab/page that photographic business is actively fighting off the economic depression, possibly even in rude health. With around one hundred and sixty exhibitors there was plenty to see. There was a whole range of new developments as well as the old favourites.

A Key aspect of the show this year was the new ranges of cameras. Leading manufacturers were actively promoting mirrorless cameras. The gradual shift away from the point-and-shoot market also seemed to continue. The camera market appears to be changing. Heavy duty technologies from the top-of-the-range DSLRs are being used in the lower end cameras. The market seems to be shifting in favour of high resolution processing right through the full range.

The economic climate is obviously still impacting. A predominant theme on retail stands was deals and offers. There was plenty on offer too. In previous years many of the accessories available in the UK seemed to be expensive compared to current prices. Today imported goods appear to be impacting the market. Exhibitors were showing equipment which appeared robust and very competitively priced. The shift in the camera market also appears to be creating deals. There were very good prices offered on cameras in all segments of the market. Many of these deals reflect depressed prices in the market in general but the many of the stands were offering greater reductions than even shop prices.

The show organisers unfortunately failed to publish the event list this year. Show goers were left to pick up what information they could about various talks and demonstrations from stands themselves. It made choosing how to spend our time was a little difficult. However, I managed to see three interesting demonstrations. There was a lot of emphasis on lighting techniques this year. Some very good models and backdrops were shown and lots of people were taking photographs. If you are going to go to the show take your camera for some additional fun.

Aside from impressive stands by Canon and Nikon, Sigma had an impressive spread of lenses available. There were some excellent tripods on show this year on several stands. Despite the reluctance of beginners to buy them, the tripod market is both competitive and innovative. Tripod heads are getting smoother and there are some very interesting new ideas, particularly in the high-engineering end of the market. However, the top tripod head units were weighing in at around £500… not a price to be taken lightly.

Other stands of interest included the extremely active Disabled Photographers’ Society. That society fosters a wonderful camaraderie and energy among its members. The Royal Photographic Society were also at the exhibition showing continuous short events which were well attended. They also are in active recruiting mode.

My overall impression of the exhibition this year was one of great energy. There was a lot of business being transacted and show-goers were being dynamic on all the stands. It was an enjoyable day, and one that will help to keep me informed about products and trends in this business.


By Damon Guy (author and editor)

Netkonnexion

Damon Guy (Netkonnexion)

Damon is managing editor of Photokonnexion.com with professional experience in photography, writing, image libraries, and computing. He is also an experienced, webmaster and a trained teacher. Damon runs regular training for digital photographers who are just starting out.
See also: Editors ‘Bio’
By Damon Guy :: Profile on Google+

Zen in the art of photography archery

Combination of mind and camera can create more than a picture.
“Zen in the art of archery” is not about photography. But it has such strong parallels to the learning of photography that its meaning is unmistakable. Professor Eugen Herrigel explains how he took the path to Zen (a balance between the body and the mind) through the medium of traditional Japanese archery. His beautifully written book explains his personal journey, in a very-easy-to-read way.

In Zen in the Art of Archery: Training the Mind and Body to Become One (Arkana) the professor simply explains his experiences and the physical and spiritual lessons that he learned. His vision is clear and his insight instructive. The reader learns that the way of Zen is not learned through archery and the book is not a guide to learning the art. Instead his book shows us that the journey to Zen is about enlightenment, inner selflessness and clarity of thought.

For photographers the book shows us that there is more to taking a picture than the physics of holding the camera, pointing and pushing the button. Technique and thought become one and the art in the moment becomes a part of the of the shot. For beginners that may seem bizarre. For the experienced photographer it is a self evident truth.

The mere picture is the result of a harsh capture of the scene using point-and-shoot technique.

The making of an image is more than that. Creating an image in the viewers mind is the essence of communication. It flows from the photographers interpretation of the scene through the photographic process to the published medium. In its pictorial form it serves to conjure in the mind of the viewer an image that inflames feelings and passions, creating a lasting mental experience. A great image flows from interpretation, capture and creation through a work flow that is a smooth and practised extension of the photographers commitment to the communication. The creation of a great image in the viewers mind is as final and precise as the arrow hitting the dead centre of the target.

“Zen in the Art of Archery” shows us that in the physical process there is something deeper than is visible. Something that is a selfless act of complete focus. It is an act that is both totally committing and yet subconscious.

Zen in the Art of Archery: Training the Mind and Body to Become One (Arkana) is a short, beautifully written book. Its beauty lies in its simplicity.

Details:

Title: Zen in the Art of Archery: Training the Mind and Body to Become One (Arkana)
Available: Amazon
Paperback: 112 pages; Publisher: Penguin; Language: English;


By Damon Guy (author and editor)

Netkonnexion

Damon Guy (Netkonnexion)

Damon is managing editor of Photokonnexion.com with professional experience in photography, writing, image libraries, and computing. He is also an experienced, webmaster and a trained teacher. Damon runs regular training for digital photographers who are just starting out.
See also: Editors ‘Bio’
By Damon Guy :: Profile on Google+

What Pinterest can offer photographers

Photokonnexion Pinterest Account

The Photokonnexion Pinterest Account

Viewing great images helps you make them…

Learning to read we are encouraged to read widely and develop our vocabulary. Reading classics and exploring interests helps inspire and teach us the foundations. It’s the same with photography. Great images, classic photographs – these help provide clues to the foundations of successful image-making. It helps us learn what works, what stimulates, what creates an image in the viewers mind. When learning photography our insight is improved with wide access to all the things that make images great and to the images themselves.

Developing photographic insight

In a previous post, “50 ways to improve your photography – every day”, I encouraged readers to constantly review other peoples photographs. Exposing yourself to images of all sorts help you to understand pictures better. Exposing yourself to great images helps you to improve by providing standards to aspire to in your photography.

Keen photographers may already look at lots of images a day. Unfortunately, newspapers, magazines and many websites use poor quality images or ones selected for purposes other than their aesthetic quality. In this situation it helps to have a place where you can create a haven, a place of quality images you respect, admire, aspire to, even adore. It should be a place you create where you can return regularly to cultivate your own taste in imagery with the images from your own portfolio, the best from websites you use and shared images from others with similar interests. For me that place is the website “Pinterest”.

How does Pinterest work?

Pinterest has established itself as…

…a virtual pinboard. Pinterest allows you to organize and share all the beautiful things you find on the web. You can browse boards created by other people to discover new things and get inspiration from people who share your interests.
http://pinterest.com/about/help/

When you open a “Pinterest” account you are helped through the process of choosing some images from the general pool of images. This gives you a learning opportunity and the chance to set up a range of “boards”. These are individual containers of images in a category you choose. You set up a “board” for each category of image you are interested in. You can change all this later too. I have one board with photography tips from this site. I also have these boards:

  • Great images;
  • Black and White
  • Works of the Greats
  • Trees and forests
  • Extraordinary Landscapes

and more. The top boards on Photokonnexion Pinterest home page  External link - opens new tab/page is shown above. Other boards line up underneath.

You can post an image to any of your boards any time in three ways. You can:

  1. Add a pin – enter a web address and select the image you want to pin.
  2. Upload a pin – select images from your computer to pin.
  3. Re-pin – select a pin from another persons board to pin.

You can also follow someone’s entire account, or you can follow a specific board from their account. You can comment on any image too. Accounts and boards you follow are accessible from your account so you can search your ‘follows’ for more images you like later. You can also search the boards of people who follow you by clicking their icons.

Each of the images are presented on one of your “boards” is in a small size. You can click through to the image in it’s largest size. If the image is presented on a web page clicking through again takes you to the page. This means you can use images a ways to get Pinterest users and your followers to visit your website too.

What Pinterest offers you

A Pinterest account provides a categorised storehouse for images you admire. These can be your images, or ones from other places or other Pinterest accounts. In short you can pick from the cream of online images and keep the image to go back to time and again. There are literally billions of images online. You will never run out of options to like, share and refer to at any time.

What Pinterest offers you, as a photographer, is a library of images that reflect your taste and interests. It is a great way to keep tabs on images you aspire to producing yourself. Your account can act as inspiration, a standard for you to work to, way to extend your photography interests; somewhere to store ideas for your future projects. It could also be a showcase of your own images for others to view and comment upon. Pinterest is a great way to make sure you see great images every day and share your interests with other people too.

What could possibly go wrong?

Every social networking site has down sides. The general interface is a bit ugly – it looks very busy on most pages. The saving grace is that the images you want to view in larger size are presented as single images so you can see them without all the other images around them.

There is an opportunity for copyright abuse since any images you post can be reposted many times. Your image will go to places you cannot control. So think carefully about images you post – as you should with any social networking site.

The comments system seems underused by the users – comments tend to be limited to explanations about images. The social networking side of the site is therefore a bit limited although as you get a following your communication with regular re-pinning-followers could develop as it would on other types of sites.

Photokonnexion on Pinterest

The idea of keeping all the images you admire in one place provides a great resource for improving your image viewing. However, if you don’t choose wisely the images you pick for your boards will not improve your vision. Of course you should choose images you like. However, when you view an image in its large size you can see how many times it has been repined. Images that are re-pinned many times provide a guide to the popularity of that image. So there is “popular guidance” of sorts. It is not expert opinion on the composition and aesthetic quality of an image of course. The best guide to what makes a good image is best learned by informed discussion with experienced photographers or other artists. Pinterest provides a place for such discussions to start, so you can make the most of the opportunities on the site with your friends.

I invite you to visit the Photokonnexion Pinterest Account. You are welcome to see how we use the account and the sort of images we like and link. If you join up be sure to surf on over and follow us. You can get our daily photography links as well as some idea of what we consider great images. Look forward to seeing you there.

Five great ways to improve your photography

I heart Photokonnexion

The top five posts from 2012

In our first year as a website we learned a lot about our readers and worked hard to provide great content for you. We did some research and identified the most read posts of the year.

Number five

Light is the most important component of our work as photographers…
Six things to know about light.
[Also check out other Light and Lighting resources].

Number four

Composition was an important theme through the year. Simple ideas are the best. This post captured a consistent readership…
The Rule of Odds – Uneven Composition

Number three

This is a great post from my friend Steve Maidwell (imageinnation.co.uk). As a contributing author he made a hit with our readers. He’s promised another post soon…
Creating a Fake Smoke Effect

Number two

I made a personal recommendation for two ideal Christmas presents. They really went down well. These would make great gifts to yourself too…
Two great Christmas gift ideas for photographers

And the top post of the year:

Number one

Street photography has been a consistent success on Photokonnexion. The most viewed post in 2012…
Forty six quick street photography tips


By Damon Guy (author and editor)

Netkonnexion

Damon Guy (Netkonnexion)

Damon is managing editor of Photokonnexion.com with professional experience in photography, writing, image libraries, and computing. He is also an experienced, webmaster and a trained teacher. Damon runs regular training for digital photographers who are just starting out.
See also: Editors ‘Bio’
By Damon Guy :: Profile on Google+

Street photography law – a simple approach

• Street Legs •

• Street Legs •
Street photography has some simple rules that are pretty universal. Stay sensible!
Street Legs By Netkonnexion on Flickr External link - opens new tab/page


Common sense is the best guide.

Staying clear of the law is pretty easy if you follow common sense rules. These follow from good principles of established manners and social skills. Here is a simple summary to help you out. There is also some links below that will guide you through the more legal approach…

Disclaimer… not so boring!

I cannot offer you hard and fast legal advice. There are too many legal systems world-wide. Also, I am not a lawyer. Nevertheless most people go through life with few brushes with the law. They have been bought up to be good citizens. It turns out that, in most of the Western world at least, that good citizenry applies to photographers. Behave sensibly and you will probably be OK! So, feel free, follow my advice. Just remember it is best to get proper legal advice before taking action!

Go for it! A generalised approach to street photography law.
Do’s
  • Always consider your personal safety first, then the safety of others.
  • You can take a picture of any thing you want in a public place.
  • You can freely take pictures of any person(s) in public.
  • You can publish your work without permission.
  • Take pictures of the police, armed forces, general officials and professionals.
  • Freely take pictures of women, children and any other person or animal.
  • You can follow people to get a shot (paparazzi do it frequently and legally).
  • You can photograph buildings and structures.
  • Traffic wardens, security guards and civilian police assistants cannot search you or order you to do something without a policeman present.
  • If stopped by the police give a reasonable and calm account of yourself IF YOU WISH.
  • You never have to surrender your camera or other equipment to any official without a court order (UK).
  • You never have to delete your photos or modify any of them or your equipment (UK).
  • You do not have to justify yourself or your photographic activities unless arrested (but see below).
  • If you are arrested for any photographic activity tell the arresting officers “I have the right to remain silent until I have been advised by my legal representative on what are legal, fair and reasonable questions to answer”.
  • Check with local authorities for special regulations relating to photography (eg. Trafalgar Square for commercial shots).
  • If you have more equipment than a bag and camera then make sure you have appropriate insurance against third party liability (eg. tripod, free-standing lights etc).
  • If you are working in a commercial capacity you must seek permission from local authorities and procure appropriate licences to carry out a complex shoot (lights, models, staff, equipment, vans etc).
  • If working as a paid photographer you must carry third party insurance and you may need location insurance for certain shoots
  • Be open and relaxed about your photography – you should not be harassed by officials if you are legitimate.
  • Do know the appropriate laws for your country or the one where you are travelling.
Don’t…
  • Don’t scare or intimidate people you are photographing (especially children or women). Following people for more than a short distance may be construed as intimidation.
  • Don’t persistently stalk, harass, irritate or torment people or follow anyone around (especially vulnerable people, women and children) for your picture-taking.
  • Do not take pictures if there may be a reasonable expectation of privacy (homes, toilets, through windows, private property, gardens or other private areas, serious personal injury situations, hospitals, changing rooms, etc.).
  • Do not block access ways, pedestrian paths, roads, doorways or fire escapes, or prevent official works or access with your equipment (tripods, lights, general photographic paraphernalia).
  • Do not stay anywhere if you are feeling threatened by anything or anyone.
  • You CANNOT profit from your street photography work without written permission of the depicted person(s) (eg, stock photography sales, advertising, selling posters etc.).
  • Do not publish pictures of personal, private or government buildings for profit without a property release, even if taken from a public space.
  • In publications do not provide identifying information about people you photograph unless you have written permission to do so.
  • Do not deliberately set up people you photograph to misrepresent them or actions they may take.
  • Do NOT get angry or violent or threatening if stopped by police or officials.
  • DO NOT make statements or justify yourself or discuss your photographic activities without a lawyer being present if arrested.
  • Do not take pictures of secure buildings with Government associations of secrecy.
  • Do not hide your camera or appear surreptitious near secure buildings with Government associations of secrecy.
  • Don’t lurk or hide yourself near secure buildings/land with Government associations of secrecy.
  • Don’t behave in a suspicious manner or a manner likely to incite scrutiny.
Consider…

The minute you step off the public land you are subject to very different laws…

  • On private or Government land none of the above “Do’s” apply!
  • You do not have a right to do anything without the owners permission on private property.
  • In public buildings, and privately-owned buildings open to the public, rules often apply that photographers must obey. Check with the management – you should know about those before you go snapping.
  • Beware the Official Secrets Act (UK). Basically this applies in any Government secure area. Don’t go there! Warning – there are extensive powers of search and arrest, but there must also be reasonable grounds for suspicion.
  • Beware the Terrorism Act 2000 (UK) – this applies in any Government secure area, certain designated areas (not published) and anywhere that a policeman will have reasonable suspicion that you are carrying out a terrorist act or collecting information for such an act. Don’t make yourself look like a terrorist! Again, be warned, there are extensive powers of search and arrest, but there must also be reasonable grounds for suspicion.
  • If you collect a lot of information about the same individuals you may need to be “Registered” under the Data Protection Act (UK). In certain circumstances (eg. where identity is clear) pictures count as “Data”.
  • If people ask you not to photograph them it is polite and courteous to comply. Happy subjects make great subjects. Upset people might pop you a punch on the jaw! So think carefully before upsetting someone.
  • Don’t deliberately portray people in a bad light, a defamatory way or depict them in a way that may misrepresent their intentions or lead people to draw inappropriate conclusions. Such actions MAY lead to court action against you.
  • If you are observed frequently or persistently photographing in places where one person, children or vulnerable people may be found, ensure you have a legitimate, officially agreed and written reason to be doing that. Regular behaviour of that sort is deemed suspicious and grounds for a police investigation.

I hope that this list is helpful. You should feel free to take pictures in public streets. However, you should remember it is better to know the law than to fall foul of it! Prepare yourself properly with the right local legal information before doing anything controversial, or new-to-you.

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By Damon Guy (author and editor)

Netkonnexion

Damon Guy (Netkonnexion)

Damon is managing editor of Photokonnexion.com with professional experience in photography, writing, image libraries, and computing. He is also an experienced, webmaster and a trained teacher. Damon runs regular training for digital photographers who are just starting out.
See also: Editors ‘Bio’
By Damon Guy :: Profile on Google+