Category Archives: Disability & Access

How to buy a new camera…

Buying a new digital camera

Buying a new digital camera

Buying is a big decision.

Photographers should be wary of the simple answer. Buying a camera is a deeply personal matter and a big investment. You live with the consequences for a long time. Look carefully at considerations that really matter to you and your performance as a photographer. Impulsive buys may spoil your photography. If you’re comfortable with your buy you will be more likely to get to know it, use it and have fun with it.

1. Work out what you need

Impulsive buying means something will not match your need, then you won’t get the use you want. The points below will help refine your thoughts. Write down your ideas to ease your research later.

Budget: Fix a budget – it may define the type of camera you can buy. So write down what you want to spend before starting. Change your mind later, but start with an idea to guide initial research.

Usage: What type of photography will you do? There are broadly two types of photographer…
The ‘point-and-shooter’:

  • Interested in recording fun, family, events and memories.
  • Love things they do when they have a camera around.
  • Take pictures as reminders. (Holidays, family, fun, action, friendship).
  • The camera is an accessory to the activity.
  • The camera is easy to use, probably in auto mode.
  • Simple controls – lighter, lifestyle-type design.
  • Less interested in the art of photography, more the style of life.

The ‘photographer’:

  • Take pride in every shot.
  • Indulges other passions through photography.
  • Wants more equipment.
  • Interested in “functions” and “controls” – technical cameras/DSLRs.
  • Camera is an essential part of the activity. (Landscapes, macro, action, nature, still-life, fine art…).
  • Loves photography for its art, technology, skills and techniques.
  • Documents passions and communicates interests through photography.
  • Take pride in camera control.
  • Enjoys the technical aspects of the capture as much as the images.

Each has an associated type of camera. A heavy DSLR is not well suited to the carefree life of the point-and-shooter. A compact, colourful, wrist-strap camera is not suited to landscape shots and large prints. Preferences and lifestyle should be shorted out early on. Are you are a point-and-shooter or a committed photographer (DSLR style)?

Conditions: Indoors/outdoors, weather, underwater, holiday, abroad, air travel? The situations in which you use the camera affects what you buy. Consider protection, travel, camera size and special equipment needs.

Experience: Skill level affects purchase – your aspirations for your future photography will too. If you’re just starting out, buying a camera with a bewildering range of functions is daunting. Take simple steps. Entry level DSLRs provide for years of growth into your hobby and produce great images. This allows you to develop skills without confusion.

Features/flexibility: Spending more on a camera means more features and flexibility. However, while this gives more control it increases cost for relatively little increase in picture quality for starters. Don’t waste your money. Focus on what you need, not “feature bloat”.

Physique/fitness: When buying you don’t get a feel for using a camera. Little, disabled, or not very fit people may find big cameras unusable. Fit, but not shooting daily? You might struggle to hold up a big camera for long periods. Buy a camera you can hold steady and use all day (if necessary). I know people who bought great cameras and had to sell them again to buy another great, but lighter, camera. Also ensure you can grip it properly and comfortably. Can you reach all the buttons easily?

Size of prints: More megapixels is NOT a better camera today. Good quality cameras have sensors to produce great images. High megapixels are only necessary for high resolution pictures – mostly for large prints. You pay a lot of money for top-megapixel cameras. Only buy them if you frequently do big prints in high definition. Don’t worry about megapixels in the market mid-range.

Lenses: To a committed photographer lenses are key. Buying the right lenses is more important than a camera body. Lens investment pays you back for a lifetime, or many camera bodies. Spend less on the body than you intended and save money for better quality lenses (not more lenses). Consider retaining at least half your budget for lenses.

Other equipment and accessories: New cameras require other items affecting your budget. Consider…

  • Lenses (Wide angle, Zoom, macro etc)
  • Camera/equipment bag
  • Tripod
  • Spare batteries (two)
  • Light modifiers (diffusers), filters, reflectors
  • Specialist equipment for specific interests
  • Memory cards (at least two – eg. 2×16 Gb not 1×32 Gb – cheaper and more secure)
  • Off-camera flash (pop-up flash is rarely useful)
  • Remote trigger to fire the flash/camera

There may be other things too.

Compatibility: Is your existing equipment compatible? Buying a camera could mean buying those extras again, straining your budget. Consider the camera brand you want to buy. That may affect the other equipment you buy later. Lenses are a particular consideration. Top brands make good lenses, but other brands may not. That could be important for your buying strategy.

Picture quality: Quality digital cameras produce great picture quality. However, large, high resolution images (especially for printing) may need larger digital-sensor size (cropped or full frame?) and type of lens and lens quality. Buy up-market lenses as far as you can. For a point-and-shoot camera consider the quality of zoom. ‘Optical zoom’ is best, the lens does the enlarging. The quality will be better with a good optical zoom. With a large digital zoom component expect lower quality prints. Digital zooms crop the picture in-camera to make the picture appear bigger. You will see more detail, but the picture may be a lower definition/resolution.

More after this…

find out more...Photokonnexion tips by email
Enjoying this article? Please sign up for our
daily email service.
                                                Find out more

2. Research

Now look at what is available. examine a range of reviews on different websites. Check out what’s popular around the web and get a “best fit” camera to your specification from above. Talk to experienced photographers. Join a club. Leave questions on Internet forums. Ask in shops.

Be prepared for this stage to take quite a long time. You may be committing to a brand for a quite a few years, or your career. Take it slowly so you can understand all implications. Keep notes and be prepared to check definitions and learn about features.

3. Try it out

Once you have identified your dream machine, see if you can try one out. Beg, borrow or hire. You will be unlikely to try everything but spend a weekend or week with it to really get a feel for it. That will help you to feel confident about your ideas or start new research. Ensure you are on the right track.

4. The purchase

From a shop: Local camera shops often have deals and committed staff. They will have knowledge and experience too. Remember they are on commission and a different focus to you. So go to a shop with a really good knowledge from the above before you buy.

Online: There are some great deals but also a lot of scam artists. Consider…

  • Who you are buying from.
  • Does the site cover losses?
  • Is delivery and packaging good?
  • Delivery times?
  • Are there proper cancellation and returns procedures?
  • Transit/purchase insurance (the company or your credit card)
  • Is the online store reputable and well known?
  • Do not click from email ads to the site – insecure.
  • Check with friends to see which online stores they used.

If it sounds too good to be true, it probably is. A reputable company will have protections built into the purchase and made clear on the site.

When you are ready consider negotiations. Lots of websites will do deals. Shops will too. Make sure you get the right deal, but don’t compromise security or safety.

5. After purchasing

Check your purchase properly – has everything arrived? Retain all paperwork and orders for future reference, returns and insurance. Test to see that it works properly. Get signed receipts and correct paper work for returns, delivery shortages or damage.

Satisfied you have the correct equipment and it works? Put it through its paces in a logical way. In Getting started with a new lens I show how to work through testing and getting to know new lenses. Many of the principles apply to the purchase of a camera and help you get to know your camera properly.

Other ideas?

Please share your other ideas, tips or experiences on buying a camera with us below in the comments…


By Damon Guy (author and editor)

Netkonnexion

Damon Guy (Netkonnexion)

Damon is managing editor of Photokonnexion.com with professional experience in photography, writing, image libraries, and computing. He is also an experienced, webmaster and a trained teacher. Damon runs regular training for digital photographers who are just starting out.
See also: Editors ‘Bio’
By Damon Guy :: Profile on Google+

New definitions – Photographic Glossary

Two new definitions have been published.

The new definitions are compositional elements of the picture. They will help an understand of the way to use space. These definitions are complementary to each other in a photograph. They are Negative Space, and Positive space.

Read the definition for Negative Space.

Read the definition for Positive Space.

Seven examples of abstract photography

Abstract photography taps into something deep in us.

It reveals elements of a subject rather than the whole subject. Abstracts examine the mystery of a subject though the parts we normally ignore in favour of the whole. It is this that makes an abstract unique.

In Definition: Abstract Photography we examined what makes an abstract. In the article Abstract Photography we examined abstracts in photographic terms and how to take abstract photographs. We looked carefully at the sort of properties or attributes of a subject to consider when taking abstract shots. In this post we are going to see some examples.

How to look at an abstract

The concept of an abstract is about the elemental make-up, the properties and attributes, of a subject. Often when we see something we tend to regard is as a whole. Abstracts explore the components that make the whole. We consider those in their own right rather than as their contribution to the whole. To appreciate an abstract try not to second-guess its part in the whole. Appreciate it for what it is – a thing which has its own properties, attributes and aesthetics.

Seven examples of abstracts

Golden Fins

Golden Fins By Richard on 365Project


 
Light-Shadow

Light-Shadow By ~LuceAnima

On Deviant Art


 
Abstract Photography

Abstract Photography
By d o l f i
http://www.flickr.com/photos/kelehen/5285763767/


 
 Abstract  No shape change.

Abstract – No shape change. By Tanakawho


 
Abstract-blue-sono2531a

Abstract-blue-sono2531a – By Ara_gon
On Flickr… http://www.flickr.com/photos/ara_gon/4035403/


 
Abstract in black, blue and white

Abstract in black, blue and white by Xollob58
On Flickr… http://www.flickr.com/photos/xollob58/3049040298/


 
abstract mini

Abstract mini – By Ary Snyder
On Flickr… http://www.flickr.com/photos/arysnyder/4178120542/

Further exploration by links…

Abstracts on Flickr…  External link - opens new tab/page
Abstracts on Deviant Art External link - opens new tab/page
Abstracts on 500px External link - opens new tab/page
Abstracts on 365Project… External link - opens new tab/page

Five tips you must know to start photography

Essentials are simple…

The simple things make the biggest improvements. Concentrate on taking some simple steps and your photography will quickly improve. These tips will get you going.

1. Solid base: The best ways to hold a camera for a sharp shot…

You can use the hand-held method for a lot of things. Especially if you set up your camera properly. There are many things you cannot do. Most beginner photographers disregard the tripod as an annoyance. They cannot be bothered with it. Taking time and getting the shot right creates the best results. The tripod is the best friend of results. No self respecting professional photographer would be without one. If you are not using one then you are ignoring the simplest method to get sharp shots.

2. Daily use: In any sport, skill or hobby, improvement comes with practice, practice, practice. So, do some photography every day. I take at least one photograph every day. Sometimes many more. It helps to have somewhere to show off the results. Especially if you can get supportive and helpful comments back. There are some great places to post your shots on the web. Many of these places you can get helpful comments from other users too. Get your relatives to comment, even your kids. Do some photography every day and you will soon find friends, online or offline.

3. Always have your camera with you: I have my camera phone. I have a Canon G12 and also my working cameras. Sometimes, I go out with four or more cameras. I always go out with at least one. If you have your camera with you, there is no excuse for ignoring it. If you use it you are practicing. Simple!.

4. There is art and interest in everything: Go for a walk, search your house, see a friend… these and more are scene creating events. I have friends who only ever take photographs in their home and local neighborhood. They take great shots and have great fun. If you look for interest in everything near where you are now, you will find something. Just have your camera with you and your eyes will be opened to a new world. If you see something you don’t have time to shoot, make a note of it. That’s one for another day!

'Lemon Juicer!' There is art and interest in everything. Even your everyday house-hold equipment. Just find a fresh viewpoint.

‘Lemon Juicer!’ There is art and interest in everything. Even your everyday house-hold equipment. Just find a fresh viewpoint.


5. Camera settings. Getting to know your camera will put you ahead of many other photographers. You might be surprised to learn that most DSLR owners never use anything but the ‘auto-mode’. If this is you too, then by learning more about your camera you can quickly learn to take pro-shots. Study the manual. Be objective. Try out one setting many times in many situations. Then, move on to another setting. Mastering your camera is the first step to becoming a master of the art of photography. It costs nothing to take a shot but learning the settings will repay your effort many times over. Experiment, have fun!

6. Ha! I slipped an extra tip in for free… In number 1. above I mentioned a proper stance. Well, if you practice every day with the proper stance (Simple tips for a good stance), you will find your shots get sharper. The act of repetitively holding the camera in the same position a few times every day will build up muscles and precise control using that position. Practice gives you body control, as well as improving your skill. The muscle memory you develop will help you react quickly and precisely to the situations where you want to take shots. In the past I have found that, particularly with disabled people or people with weak muscles, some really big improvements can be made by holding the camera a few times every day. Your body responds well to all forms of exercise. Some of today’s cameras are not a trivial weight. If you expect to hold it properly and steady you must practice.


By Damon Guy (author and editor)

Netkonnexion

Damon Guy (Netkonnexion)

Damon is managing editor of Photokonnexion.com with professional experience in photography, writing, image libraries, and computing. He is also an experienced, webmaster and a trained teacher. Damon runs regular training for digital photographers who are just starting out.
See also: Editors ‘Bio’
By Damon Guy :: Profile on Google+

Canon Announce New Camera – Canon EOS 650D

The new Canon EOS 650D with open LCD screen - announced today

The new Canon EOS 650D with open LCD screen - announced today


Host of new features in entry-level camera release

The big news today from Canon is a new entry-level camera, the Canon EOS 650D. I can’t help being excited about this camera because it is great news for the photographer who is looking for their first DSLR. It is also good news for a whole range of other interested photographers. The power of this camera extends way beyond the needs of the beginner. Here is a list of the key features…

  • 18 MP APS-C Hybrid CMOS sensor (18 megapixels)
    Impressive capacity – high resolution pictures
  • DIGIC 5 Image Processor
    The latest processor from Canon available in an entry level camera
  • Full-HD movies with manual controls and continuous AF
    Impressive movie capabilities in HD and 720p resolution.
  • Video Snapshot
    Impressive short movie sequencer system for dynamic movie snapshots
  • 5 fps continuous shooting
    Shot bursts at impressive capture rate. Great for high speed action
  • Vari-angle Clear View LCD II Touch screen
    Full range rotation LCD at 7.7cm provides over 1 million pixel format; touch screen and normal menu control and wide angle of viewing
  • ISO 100-12,800 sensitivity, extendable to ISO 25,600
    Amazing ISO sensitivity coverage
  • 9-point wide-area AF with 63-zone Dual-layer Metering sensor
    Auto focus range is good but backed by a wider sensor range billed to use a new duel layer sensor to even out exposure and reduce overexposure
  • Integrated Speedlite Transmitter
    Control EOS off-camera flash from the camera without extra transmitters
  • Handheld Night Scene mode
    Takes 4 quick shots instead of one long one. Combines them to create a picture. Shorter exposures give less hand shake
  • Multi-Shot Noise Reduction
    Enhances noise control by using four exposures combined
  • HDR Backlight Control
    Combines images (3) to create HDR pictures
  • Modes
    Scene intelligent auto, Flash off, Automatic Creative mode, Landscape, Portrait, Close-up, Sports, Night, Handheld Night Scene, HDR Control, Program P, Shutter priority AE, Aperture priority AE, Full Manual
  • EOS Scene Detection Technology
    Detects scene types, exposure types, faces, movement and combined with Intelligent Auto creates a more realistic picture with more natural tones
  • Picture Styles (and style editor)
    Preset picture styles: Auto, Standard, Landscape, Portrait, Faithful, Neutral, Monochrome, and three user defined styles
  • Live View Mode
    including face tracking and a range of auto-focus controls to support live composition
  • Auto Lighting Optimizer & Lens peripheral illumination correction
    Evens out the lighting and controls the exposure illumination features
  • Creative Filters
    Arty filters, effects and control in camera
  • Powerful software for the system
    A range of applications to support the user and add to the processing options available in camera
  • Size: (WxHxD) 133.1 x 99.8 x 78.8 mm
  • Weight (body only) Appx. 575g (incl. battery & memory media)
    Add lens weight for working weight

As you can see from the last two points, all this new technology is neatly packed into a tight little box. For those with a disability or low hands/arms strength this is a fully fledged imaging machine that you might consider for its light weight. Remember you will need to consider the weight of the lens too.

Here is a video exploring some of the features I have mentioned above…
In all this looks like an impressive camera that will provide fun and high quality images. The new technologies are exciting, on paper at least. More to the point it provides a flexible and versatile system of controls that can be accessed by anyone. At the same time it looks like the specification provides unprecedented image quality.

In my opinion, Canon have made one small tactical error. As an entry level camera, I think they missed an opportunity not including social networking features. These are beginning to be released in point-and-shoot cameras and are likely to be attractive to young photographers. Many young people would then have an attractive route into using more sophisticated DSLRs. I think we should be encouraging young photographers to extend their skills. For Canon, I think they missed out on access to a new market.

It remains to be seen how the EOS 650D will affect the market. I would predict a big uptake from learners and enthusiasts well beyond learner level. This is a camera that will grow with you as you develop your photography skills.

The new Canon EOS 650D will be available in the UK from June 15th 2012. You can pre-order the camera from a range of retailers. The cost will be around £700 UK pounds / €840 Euros (body only). Canon are also releasing two new lenses. Both are adapted to this new camera. They have a new type of motor which is expected to be especially effective when working in video mode. The new lenses are the:
EF-S 18-135mm f/3.5-5.6 IS STM
EF 40mm f/2.8 STM


By Damon Guy (author and editor)

Netkonnexion

Damon Guy (Netkonnexion)

Damon is managing editor of Photokonnexion.com with professional experience in photography, writing, image libraries, and computing. He is also an experienced, webmaster and a trained teacher. Damon runs regular training for digital photographers who are just starting out.
See also: Editors ‘Bio’
By Damon Guy :: Profile on Google+

DIY Camera Chest Harness for Weak Hands & Arms

Chest based harness to help support the weight of your SLR if you have weakness in the hands or arms

Chest based harness to help support the weight of your SLR if you have weakness in the hands or arms. Click to see the full construction articles on Instructables.

Carry on using your SLR after weakness causes problems

A lot of people suffer from weak hands and arms. Injury, disease and age can all affect photographers. It is understandable that weakness makes it difficult to lift or hold a DSLR. The frustration, and perhaps pain, can be very off-putting. Here is a solution that just about anyone can make. It takes the weight off the hands and arms. Bracing the weight of your camera against the chest makes sense. It is a stable platform, the weight is supported by the neck and shoulders and it is easy to use with one hand. Using a remote trigger you can even hold the camera with just your left hand.

This easy-build solution is found on “Instructables.com“. There are detailed instructions on how to build the ‘Camera Chest Harness’. In addition detailed photographs show you the components and assembly. All the parts are easily purchased or made from materials found in local hardware warehouses or DIY stores.

If you have not seen “Instructables.com” it is a great site. There are lots of Instructables DIY photography Projects as well as thousands of other interesting ideas for DIY projects. If you sign up for free you can follow people to keep up with their latest projects. Or, you can post your own hacks or projects. You can comment and ask questions and take part in all sorts of community activities including competitions. Why not take a jump over there and check it out.